A work in constant progress (and occasional regress).
Release Date:
March 28, 2003
Original Title:
Passato prossimo
Genres:
Comedy | Drama
Production Companies:
Medusa Film
Seal Production
Tele+
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 97
A pair of summer and winter weekends intertwine in a series of flashbacks involving five friends. Their dreams and expectations overlap with memories of events that took place in the house that they are sharing, which has a particular significance for all of them.
Administration:
Albamaria Ruggieri
Assistant Editor:
Irma Misantoni
Carla Leonardi
Camera Operator:
Lorenzo Senatore
Costume Design:
Francesca Casciello
Director:
Maria Sole Tognazzi
Director of Photography:
Giulio Pietromarchi
Editor:
Walter Fasano
First Assistant Camera:
Lorenzo Tovoli
First Assistant Director:
Simonetta Valentini
Foley Artist:
Stefano Di Fiore
Fabio Cassandra
Gaffer:
Fabio Scepi
Hair Department Head:
Massimo Gattabrusi
Hairstylist:
Francesca Iacoponi
Key Grip:
Paolo Palmulli
Line Producer:
Mauro De Salve
Makeup Artist:
Paola Cristofaroni
Makeup Department Head:
Fernanda Perez
Original Music Composer:
Andrea Guerra
Producer:
Barbara Genio
Ilaria Cirino Pomicino
Production Design:
Vincenzo De Camillis
Production Manager:
Stefano Bocchini
Production Secretary:
Andrea Petino
Property Master:
Claudio Di Gregorio
Script Supervisor:
Barbara Genio
Seamstress:
Angela Anzimani
Second Assistant Camera:
Stefano Novelli
Daniela Chioffi
Second Assistant Director:
Carlotta Massimi
Massimo Volta
Gabriella Barbati
Set Decoration:
Cristiana Possenti
Sound:
Filippo Porcari
Federica Ripani
Sound Mixer:
Alberto Doni
Steadicam Operator:
Sebastiano De Pascalis
Daniele Proietti
Still Photographer:
Marta Spedaletti
Unit Manager:
Paolo Cellini
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.