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Downunder (2017) [N/A]

Release Date:
November 10, 2017

Original Title:
Downunder

Genres:
Thriller

Production Companies:
Fanda Films
Helher photo
Hima Photography
Lunatic Visual Studio
Robin Hood Films

Production Countries:
Spain

Ratings / Certifications:
 N/A

Runtime: 19

Overview from TheMovieDB

When a man's car breaks down in the middle of nowhere, an unexpected confrontation ensues. If those ditches could talk... 1981, the American Southwest. Daniel is on his way to join his family, cruising through the desert valley while the sun is beating down on his old Chevy. But his car breaks down and he has to pull off the deserted road. But luckily a bad-ass trucker stops by to help him a hand...Remember BREAKDOWN, with Kurt Russell? It's a bit like that, except with a flashy 80's synth score. And what if people are not what they seem and the real evil guy is the one you least expect?

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Additional information:

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Performers

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Production

Animation:
Alex Díez

Art Direction:
Laura Lostalé

Director:
Fernando González Gómez

Director of Photography:
Helher Escribano

Editor:
Fernando González Gómez

Music:
Alf Garret
Iker Arranz

Sound:
José Luis Morales

Writer:
Fernando González Gómez

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.