A work in constant progress (and occasional regress).
Release Date:
October 25, 2021
Original Title:
E noi come stronzi rimanemmo a guardare
Alternate Titles:
Arturo y el algoritmo
虚拟人生在路上
Genres:
Comedy
Production Companies:
I Diavoli
Vision Distribution
Wildside
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 108
Arturo loses his tech job to an algorithm he created and ends up working as a delivery man, monitored by an unreasonably strict app. His only solace comes from Stella, a hologram-for-girlfriend whose free trial is running out. Unable to renew the subscription due to his financial uncertainty, Arturo decides to take a stand.
Assistant Camera:
Luciano Teolis
Emanuele Ranesi
Assistant Editor:
Sarah Farmad
Assistant Production Design:
Marta Montani
Giovanni Gervasi
Boom Operator:
Chiara Bersani
Massimiliano Marcon
Camera Operator:
Sebastiano De Pascalis
Pierluigi Presutti
Casting:
Francesca Borromeo
Valeria Miranda
Co-Producer:
Lorenzo Gangarossa
Costume Design:
Cristiana Ricceri
Delegated Producer:
Ludovica Rapisarda
Mandella Quilici
Saverio Giuseppe Guarascio
Digital Imaging Technician:
Davide Leone
Director:
Pif
Director of Photography:
Manfredo Archinto
Arnaldo Catinari
Editor:
Ilaria Fraioli
Executive Producer:
Olivia Sleiter
First Assistant Director:
Gianluca Mizzi
Gaffer:
Fabio Capozzi
Mauro Belli
Hair Department Head:
Massimo Gelo
Idea:
Guido Maria Brera
Key Grip:
Luciano Mastropietro
Marco Santarelli
Line Producer:
Emanuele Lomiry
Location Manager:
Pierpaolo Cortesi
Makeup Department Head:
Maurizio Fazzini
Master at Arms:
Samuele Brancato
Original Music Composer:
Santi Pulvirenti
Post Production Producer:
Paola Cerbara
Post Production Supervisor:
Enrico Barone
Producer:
Mario Gianani
Lorenzo Mieli
Production Coordinator:
Valentina Cortesi
Production Design:
Monica Vittucci
Production Manager:
Raffaella Ridolfi
Paolo Venditti
Cristiano Di Meo
Production Secretary:
Angelo Circo
Nicola Di Fiore
Screenplay:
Pif
Michele Astori
Script Supervisor:
Silvana Decarli
Second Assistant Director:
Maria Crescenzi
Ivan Furlan
Giorgia Geminiani
Sound:
Tiziano Crotti
Sound Mixer:
Andrea Lancia
Story:
Michele Astori
Pif
Stunt Coordinator:
Alessandro Novelli
Emiliano Novelli
Unit Manager:
Giulia Preziosi
Adriana Capeti
VFX Supervisor:
Daniele Starnoni
Massimiliano Battista
Visual Effects Coordinator:
Lena Di Gennaro
Visual Effects Producer:
Rodolfo Migliari
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.