A work in constant progress (and occasional regress).
Release Date:
November 8, 2019
Original Title:
Zombies en el cañaveral: el documental
Genres:
Documentary
Production Companies:
Películas Zapruder
Production Countries:
Argentina
Ratings / Certifications:
N/A
Runtime: 89
Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.
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Animation:
Claudio J. Rodríguez
Juan José López
Assistant Director of Photography:
Agostina Cuolantoni
Mariano Laguzzi
Assistant Sound Engineer:
Fabián Gramajo
Color Grading:
Mariela Giles Bastía
Director:
Pablo Schembri
Director of Photography:
Guido De Paula
Editor:
Franco Cruz
Executive Producer:
Mariel Bomczuk
Nicolás Batlle
Luz Mariel Salas
Graphic Designer:
Pablo Schembri
Claudio J. Rodríguez
Juan José López
Key Grip:
Adrián Di Toro
Makeup Artist:
Luis Fernando Ferreyra
Franco Altamiranda
Mayra Alejandra Lugones
Original Music Composer:
Javier Ruiz
Producer:
Pablo Schembri
Production Assistant:
Martín Bulacio
Gabriel Giménez
Sound Designer:
Javier Ruiz
Sound Director:
Javier Ruiz
Sound Recordist:
Javier Ruiz
Still Photographer:
Nicolás Núñez
Visual Effects:
Claudio J. Rodríguez
Juan José López
Writer:
Pablo Schembri
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.