A work in constant progress (and occasional regress).
Release Date:
June 1, 2015
Original Title:
La Traviata
Production Companies:
ARTE
Festspielhaus Baden-Baden
SWR
Unitel
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 139
Olga Peratyatko and Atalla Ayan star in Rolando Villazón's scintillating production of Verdi's La Traviata at the Festspielhaus in Baden Baden, Germany. Supported by the Balthasar-Neumann-Chor and the Balthasar-Neumann-Ensemble.
Assistant Costume Designer:
Agnes Barruel
Assistant Director:
Alexander Radulescu
Assistant Set Designer:
Anna Beck
Camera Operator:
Dirk Flieger
Christoph Schmitz
Jacqueline Appel
Udo Schmitz
Michael-Christian Oertel
Hans-Jürgen Rennau
Michael Horcher
Clemens-Emanuel Reinelt
Florin Kostrakiewicz
Chief Lighting Technician:
Peter Kanneberger
Choreographer:
Philippe Giraudeau
Commissioning Editor:
Olaf Rosenberg
Karl Thumm
Conductor:
Pablo Heras-Casado
Detlef Bratschke
Costume Designer:
Thibault Vancraenenbroeck
Costume Supervisor:
Astrid Eisenberger
Director:
Nele Münchmeyer
Editor:
Claudia Enders
Editorial Manager:
Joachim Lang
Head Carpenter:
Gregor Sand
Lighting Design:
Davy Cunningham
Lighting Technician:
Bernd Herr
Line Producer:
Klaus Hartmann
Christiane Wolf
Lyricist:
Francesco Maria Piave
Makeup Department Head:
Raimund Ostertag
Makeup Designer:
Cécile Kretschmar
Music Supervision Assistant:
Duncan Ward
Original Music Composer:
Giuseppe Verdi
Original Story:
Alexandre Dumas fils
Other:
Didier Kersten
Jörg Heiser
Claudia Schreiber
Producer:
Markus Boss
Magdalena Herbst
Production Assistant:
Rika Schildberg
Production Manager:
Heinz-Jürgen Hilgemann
Set Designer:
Johannes Leiacker
Sound:
Winfried Christmann
Klaus-Dieter Hesse
Hendrik Rahn
Sound Supervisor:
Moritz Bergfeld
Stage Director:
Rolando Villazón
Technical Supervisor:
Paul Mertens
Matthias Eberhardt
Theatre Play:
Alexandre Dumas fils
Wardrobe Supervisor:
Connie Herz-Schöffler
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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