A work in constant progress (and occasional regress).
Release Date:
December 25, 2011
Original Title:
Extremely Loud & Incredibly Close
Alternate Titles:
Extrem Laut und Unglaublich Nah
Extrem laut & unglaublich nah
Extremely Loud and Incredibly Close
Extrêmement fort et incroyablement près
Rém hangosan és irtó közel
Tan Fuerte, Tan Cerca
Tan fuerte, tan cerca
Tão Forte e Tão Perto
咫尺浩劫
响在耳边 近在眼前
心灵钥匙
Genres:
Drama
Production Companies:
Scott Rudin Productions
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BE: 14 BR: 10 CH: 12 CZ: 15+ DE: 12 DK: 11 ES: 7 FI: K-12 FR: 12 GB: 12A GR: Κ HU: 16 IE: 12 IT: T JP: G NL: 12 NO: 12 PL: 12 PT: M/12 RO: AP SE: 11 US: PG-13
Runtime: 129
A year after his father's death, Oskar, a troubled young boy, discovers a mysterious key he believes was left for him by his father and embarks on a scavenger hunt to find the matching lock.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Peter Rogness
Assistant Art Director:
I. Javier Ameijeiras
Michael Auszura
Associate Producer:
Jayne-Ann Tenggren
Co-Producer:
Tarik Karam
Eli Bush
Costume Design:
Ann Roth
Costume Supervisor:
David Davenport
Director:
Stephen Daldry
Director of Photography:
Chris Menges
Editor:
Claire Simpson
Executive Producer:
Celia D. Costas
Mark Roybal
Nora Skinner
Makeup Department Head:
Louise McCarthy
Novel:
Jonathan Safran Foer
Original Music Composer:
Alexandre Desplat
Producer:
Scott Rudin
Production Design:
K.K. Barrett
Prosthetics:
Gary Archer
Screenplay:
Eric Roth
Set Costumer:
Martha Smith
Megan Asbee
Set Decoration:
George DeTitta Jr.
Sound Effects Editor:
Heather Gross
Sound Mixer:
Danny Michael
Sound Re-Recording Mixer:
Paul Urmson
Skip Lievsay
Stunt Coordinator:
Blaise Corrigan
Stunts:
Don Hewitt Sr.
Supervising Sound Editor:
Skip Lievsay
Blake Leyh
Unit Production Manager:
Deb Dyer
Visual Effects Producer:
Renuka Ballal
Mitchell Ferm
Visual Effects Supervisor:
Kevin Scott Mack
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.