A work in constant progress (and occasional regress).
Release Date:
July 23, 2021
Original Title:
The Duke
Alternate Titles:
A herceg
Genres:
Comedy | Drama | History
Production Companies:
Ingenious Media
Neon Films
Pathé
Screen Yorkshire
Production Countries:
France | United Kingdom
Ratings / Certifications:
AU: M CA: 18A FR: U GB: 12A NL: 16 NZ: M PR: R SK: 12 US: R
Runtime: 96
In 1961, a 60-year-old taxi driver stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. What happened next became the stuff of legend.
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"B" Camera Operator:
Matthew Poynter
Art Department Assistant:
Vanessa Bamford
Frances Pulford
Art Direction:
Liz Simpson
Assistant Accountant:
Emily Orlik
Oliver Orlik
Assistant Art Director:
George W Turner
Assistant Costume Designer:
Simon Lewis
Paul Yeowell
Richard Cooke
Assistant Director:
Malinda Kaur
Assistant Location Manager:
Grace Dubruel
Ben Frost
Assistant Set Decoration:
Kaye Kent
Candice Marchlewski
Assistant Sound Editor:
Lee James
Julian Bale
Best Boy Electric:
Will Kendal
Camera Trainee:
Rosamund Freeman
Casting:
Fiona Weir
Casting Assistant:
Nikita Vyas
Casting Associate:
Sarah Wilson
Co-Producer:
Michael S. Constable
Construction Manager:
Bob Charlton
Costume Design:
Dinah Collin
Costume Standby:
Natasha Kutrovacz
Costume Supervisor:
Filipa Fabrica
Dialogue Editor:
Matt Davies
Digital Imaging Technician:
Núria Pérez
Director:
Roger Michell
Director of Photography:
Mike Eley
Draughtsman:
Ian Tomlinson
Dressing Prop:
Callum Haden
Editor:
Kristina Hetherington
Electrician:
Joe McGee
Andrew O'Driscoll
Thomas Tann
Luke Pochetty
Tom Hyde
Executive Producer:
Christopher Burton
Peter Scarf
Cameron McCracken
Jenny Borgars
Andrea Scarso
Hugo Heppell
First Assistant "B" Camera:
Arron Monkman
Luke Selway
First Assistant Accountant:
Tim Powell
First Assistant Camera:
Oliver Driscoll
First Assistant Director:
Simon Hedges
First Assistant Editor:
Andrew Jadavji
Foley Artist:
Barnaby Smyth
Foley Editor:
Robert Weatherall
Foley Recording Engineer:
Keith Partridge
Gaffer:
Paul McGeachan
Generator Operator:
Steve Roberts
Grip:
Del Strachan
Ben Lowe
Mark Jones
Hair Designer:
Karen Hartley-Thomas
Key Grip:
Sergio Bernuzzi
Location Assistant:
Lian Furness
Cory Townsend
Sjors Fiege
Location Manager:
Matthew Bowden
James Player
Makeup & Hair:
Amy Riley
Emma Rigby
Natalie Young
Makeup Designer:
Karen Hartley-Thomas
Mix Technician:
Robbie Scott
Jessica Watkins
Music Editor:
Graham Sutton
Orchestrator:
George Fenton
Julian Kershaw
Original Music Composer:
George Fenton
Post Production Accountant:
Tim Powell
Post Production Coordinator:
Robert Platt-Higgins
Post Production Supervisor:
Louise Seymour
Producer:
Michael S. Constable
Nicky Bentham
Production Coordinator:
Cecily Colahan
Production Design:
Kristian Milsted
Production Manager:
Filiz-Theres Erel
Production Secretary:
Tian Boyce
Production Sound Mixer:
Martin Beresford
Property Master:
P.R. Smith
Props:
Thomas Barratt
Screenplay:
Richard Bean
Clive Coleman
Second Assistant "A" Camera:
Bruce Carmichael
Second Assistant "B" Camera:
Owen Cant
Second Assistant Camera:
Ben Jones
Second Assistant Director:
Gemma Nunn
Set Decoration:
Libby Uppington
Sound Effects Editor:
Rob Turner
Rob Prynne
Sound Re-Recording Assistant:
Tom Melling
Sound Re-Recording Mixer:
Paul Carter
Jamie Roden
Sound Supervisor:
Danny Sheehan
Special Effects Makeup Artist:
Chris Lyons
Special Effects Supervisor:
Rob Rowley
Standby Art Director:
Robert Haynes
Storyboard Artist:
Rachel Garlick
Stunt Coordinator:
Julian Spencer
Supervising Art Director:
Adam Tomlinson
Third Assistant Director:
Lucy Andrews
Unit Manager:
David Gales
Dave Seward
Visual Effects Producer:
Vikram Chadha
Visual Effects Supervisor:
Sebastian Barker
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.