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Cargo (2019) [PG-13]

Release Date:
October 18, 2019

Original Title:
Cargo

Genres:
Drama | Fantasy | Science Fiction

Production Companies:
Electric Films
Fundamental Pictures

Production Countries:
India

Ratings / Certifications:
IN: UA  RO: 15  US: PG-13 

Runtime: 113

Meaning of Life and Living

Overview from TheMovieDB

Prahastha, a lonely astronaut, works in a spaceship. Every morning, his spaceship comes close to Earth and Cargos are delivered at the arrival bay. These Cargos are people who have just died on Earth and we learn that Prahastha works for Post Death Transition Services — a large, pioneering, bureaucratic company that stores, transitions, and recycles dead people for rebirth. Today, after many years, a young, popular astronaut — Yuvishka, trained in cutting edge technology, will join the spaceship as his assistant.

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Production

Associate Producer:
Sameer Kamble

Cinematography:
Kaushal Shah

Colorist:
Zaheer Shaikh
Navin Shetty

Dialogue Editor:
Shantanu Yennemadi

Director:
Arati Kadav

Editor:
Paramita Ghosh

Executive Producer:
Vikramaditya Motwane

First Assistant Director:
Aditya Pawar

Music:
Shezan Shaikh

Producer:
Navin Shetty
Shlok Sharma
Anurag Kashyap
Arati Kadav
Zain Matcheswalla

Production Designer:
Mayur Sharma

Sound Designer:
Anish John

Sound Re-Recording Mixer:
Sarath Mohan

Writer:
Arati Kadav

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.