A work in constant progress (and occasional regress).
Release Date:
February 18, 2019
Original Title:
Social Media Apocalypse
Genres:
Documentary
Ratings / Certifications:
N/A
Runtime: 66
Today billions of people walk around like living zombies, glued to their mobile devices. They post pictures of their latest everyday outings or selfies of themselves living some exciting life that is in reality a lie. Social media can inform and enlighten but can also manipulate, control and destroy innocent people. It is changing humanity and is the new master of our daily lives but some are calling it a virtual prison that we willingly engage in while oblivious to the sinister agenda behind the technology. Utilized by corporations and political factions to spy and collect information on our lives in an attempt to sway the public toward an ulterior agenda. Social media is changing the face of the planet, we are becoming slaves to a technology master.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.