A work in constant progress (and occasional regress).
Featuring:
Kristina Klebe, Sebastian Cabanas, Tanner Buchanan
Directed by:
Damián Romay
Release Date:
October 10, 2019
Original Title:
Cruel Fixation
Alternate Titles:
M.I.L.K
Sinister Seduction
Genres:
Thriller
Production Companies:
Sunshine Films
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 90
A recent widow is glad when her son finds a new friend. But it soon becomes clear that he's after a different type of companionship. Will their attraction be her undoing? And what secrets is hiding?
Recently widowed Sharon (Kristina Klebe) is concerned when her son Anthony (Sebastian Cabanas) has trouble fitting in at school. However, her worries end when Dylan (Tanner Buchanan), an athlete and one of the most popular boys at school, suddenly befriends Anthony. But the more time Dylan spends at the house, the more Sharon suspects that his interests lie with her as opposed to her son. And as Dylan's obsession with her turns dangerous, she discovers that Dylan's advances have a more sinister motive than she could have ever guessed - revenge for something in Sharon's past that she thought had long-since been buried.
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ADR Mixer:
Beau Emory
Associate Producer:
Allegra Newman
Director:
Damián Romay
Director of Photography:
Hernan Herrera
Editor:
Pepe Plaza
Executive Producer:
Michael Moran
Fernando Szew
Original Music Composer:
Andrew Skrabutenas
Producer:
Damián Romay
Jacobo Rispa
Script Supervisor:
Juliana Maité Irizarry
Second Unit Director:
Alejandro Contreras
Sound Designer:
Leandro Cassan
Sound Mixer:
José Márquez
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.