A work in constant progress (and occasional regress).
Release Date:
January 15, 1997
Original Title:
Lost Highway
Alternate Titles:
A Estrada Perdida
Útvesztőben
Загублене шосе
Шосе в нікуди
Genres:
Drama | Mystery | Thriller
Production Companies:
Asymmetrical Productions
CiBy 2000
Production Countries:
France | United States of America
Ratings / Certifications:
AR: 18 BR: 18 CA: 18A CZ: 15+ DE: 16 DK: 15 ES: 18 FI: K-16 FR: 12 GB: 18 GR: K-16 HK: III HU: 18 IE: 18 IN: A IS: 16 IT: VM18 JP: G KR: 18 MX: C NL: 16 NO: 18 NZ: R18 PL: 18 PT: M/18 RU: 18+ SE: 15 TH: 18 TR: 18+ TW: 18+ US: R
Runtime: 134
A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.
ADR & Dubbing:
Derek Marcil
Additional Music:
Barry Adamson
Aerial Camera:
Stan McClain
Art Direction:
Russell J. Smith
Assistant Editor:
Hilary Schroeder
Assistant Hairstylist:
Kathleen Norris
Assistant Makeup Artist:
Hayley Cecile
Assistant Property Master:
Samuel J. Tell
Best Boy Electric:
John Willis III
Boom Operator:
Kevin Kubota
Camera Operator:
Paul Hughen
Casting:
Johanna Ray
Elaine J. Huzzar
Costume Design:
Patricia Norris
Costume Supervisor:
Maurizio Bizzarri
Dialogue Editor:
David Grant
Susan Shin
Paul Longstaffe
Louis Creveling
Director:
David Lynch
Director of Photography:
Peter Deming
Editor:
Mary Sweeney
Executive Consultant:
Ed Morris
First Assistant Camera:
Scott Andrew Ressler
First Assistant Director:
Scott Cameron
First Assistant Editor:
Brian Johnson
Foley:
Mary Erstad
Ossama Khuluki
Catherine Harper
Christopher Moriana
Ellen Heuer
Foley Editor:
Marilyn Graf
David Mann
Laura Laird
Lucy Sustar
Joshua E. Schneider
Gaffer:
Michael LaViolette
Grip:
Philip Sloan
Tim Collins
Todd Mitchell Griffith
Paul Wilkowsky
William Roy Eckert
Hairstylist:
Patricia Miller
Toni-Ann Walker
Location Manager:
Julie Duvic
Makeup Artist:
Debbie Zoller
Marlene Lipman
Music Editor:
Marc Vanocur
Original Music Composer:
Angelo Badalamenti
Post Production Assistant:
Cassandra King
Post Production Supervisor:
Desmond Cannon
Producer:
Tom Sternberg
Mary Sweeney
Deepak Nayar
Production Accountant:
Cynthia Wise
Production Design:
Patricia Norris
Production Manager:
Karen R. Sachs
Production Supervisor:
Sabrina S. Sutherland
Property Buyer:
Eric DaRe
Property Master:
Craig Sherman Hall
Script Supervisor:
Cori Glazer
Sculptor:
Greg Polutonovich
Second Assistant Camera:
Andrea Chesney
Second Assistant Director:
Simone Farber
Second Second Assistant Director:
Adam Rosen
Set Costumer:
Marisa Aboitiz
Set Decoration:
Leslie Morales
Set Dresser:
David Storm
Songs:
Rammstein
Sound Designer:
David Lynch
Sound Effects Editor:
Javier Bennassar
David Melhase
Benjamin L. Cook
Cormac Funge
Elmo Weber
Bill Brown
Dean Hovey
Frederick Howard
Sound Engineer:
Jiří Zobač
Sound Re-Recording Mixer:
John Ross
Frank Gaeta
Derek Marcil
David Lynch
Sound mixer:
Susumu Tokunow
Special Effects:
David A. Poole
Michael Wilmot
Bart Barber
Philip Bartko
Special Effects Makeup Artist:
Michael Burnett
Steadicam Operator:
Dan Kneece
Still Photographer:
Suzanne Tenner
Stunt Coordinator:
Chris Howell
Stunts:
Bruce Paul Barbour
Gene Hartline
Joey Box
Cole S. McKay
Jophery C. Brown
Robert Jauregui
Eliza Coleman
Gilbert B. Combs
Rick Seaman
David M. Barrett
Terry Jackson
Cole McLarty
Jim Palmer
Matt Sigloch
Mike Watson
Glen Yrigoyen
Supervising Dialogue Editor:
Thomas Jones
Supervising Sound Editor:
Frank Gaeta
Unit Production Manager:
Deepak Nayar
Writer:
David Lynch
Barry Gifford
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.