A work in constant progress (and occasional regress).
Release Date:
September 27, 2019
Original Title:
Home Is Where The Killer Is
Alternate Titles:
A casa con l'assassino
A gonosz otthon lakozik
Amenaza en el hogar
Home Is Where The Killer Is
Home Is Where the Killer Is
No Place Like Home
Δεν θα Ξεφύγεις Ποτέ!
Genres:
Drama | Thriller
Production Companies:
Benattar/Thomas Productions
Headlong Entertainment
Home Films
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 87
What if Dee Dee Blanchard was a rich lady doctor who preyed on her roommates and also loved to watch Downton Abbey?
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Best Boy Electric:
Callum Barrass
Best Boy Grip:
Nick Herman
Clas Lindgren
Casting:
Paul Ruddy
Costume Design:
Jacob Kosarian
Director:
Kaila York
Director of Photography:
Paul Salmons
Editor:
James Kondelik
Executive Producer:
Michael Moran
First Assistant Camera:
Ryan Magrish
First Assistant Director:
Eric Zaragoza
Gaffer:
LeRoy Davis III
Key Grip:
Joshua George
Kyle Thor
Key Makeup Artist:
Theresa Reish
Line Producer:
Kristopher Wynne
Original Music Composer:
Alexander Bornstein
Producer:
Nigel Thomas
Rick Benattar
Production Design:
Allison Schenker
Property Master:
Kyle Caraher
Script Supervisor:
Josh Gannon
Second Assistant Camera:
Maria Valetta
Second Assistant Director:
Tony Aronovitz
Set Dresser:
Jason Chadwick
Sound Effects Editor:
Matthew Riale
Robert Schmalz
Sound Mixer:
Max Osadchenko
Steadicam Operator:
Conner Vandeer
Still Photographer:
Temma Hankin
Stunt Coordinator:
Helena Barrett
Stunt Double:
Brooke Coleman
Stunts:
Lauren Shaw
Unit Production Manager:
Casandra Cisneros
Writer:
Christina Welsh
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.