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Inherit the Viper (2019) [R]

Release Date:
September 28, 2019

Original Title:
Inherit the Viper

Alternate Titles:
Herencia venenosa
La Herencia de la Culebra

Genres:
Crime | Drama | Thriller

Production Companies:
Barry Films
Tycor International Film Company

Production Countries:
United States of America

Ratings / Certifications:
BR: 16  CH: 16  DE: 16  SE: 15  US: R 

Runtime: 90

Some debts can't be paid.

Overview from TheMovieDB

Since the death of their father, the Riley siblings have kept their heads above water by illegally dealing in painkillers. Josie is managing the business with an iron fist, when her brother, War veteran Kip, is concerned that the risky business is increasingly turning them into outsiders in their small community. While Kip wants to keep his younger brother out of their illegal endeavors, his younger brother is already making plans of his own.

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Performers

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Production

"B" Camera Operator:
Niels Lindelien

ADR Coordinator:
Annabel Martin

ADR Mixer:
John St. Denis
Nick Kray
Andrew Rice
Aaron Southerland
Matt Hovland

Additional Editor:
Rick Grayson

Art Direction:
Prissy Lee

Assistant Art Director:
Maggie Kimball

Assistant Costume Designer:
Minnie Garcia

Assistant Editor:
Matthew Gilna
Katherine Cornblath
Andrew Cohen
Timmy Seely
Chris Pownall
Kevin Kelsey
Mark Adelsberger

Assistant Location Manager:
Matt Banfield
Alexander Paul Kahn

Assistant Production Coordinator:
Evan Elise Owens

Assistant Property Master:
Hannah Riley

Assistant Sound Editor:
Kevin Meltcher

Associate Producer:
Leandro Marini
Steve Bannerman
Scott Kirkley
James Cotten

Best Boy Electric:
Wes Bryant

Boom Operator:
Matt Joyer

Casting:
Orly Sitowitz

Co-Editor:
Gordon Antell
Rick Grayson

Co-Producer:
Ty Walker

Colorist:
Toby Martisius

Costume Design:
Emily Batson

Costumer:
Laura Wheeler

Craft Service:
Shanti Davis

Dialogue Editor:
Adriane Marfiak

Digital Imaging Technician:
Paul Rahfield

Digital Intermediate Colorist:
Leandro Marini

Digital Intermediate Producer:
Steve Bannerman
Rebecca Erbe

Director:
Anthony Jerjen

Director of Photography:
Nicholas Wiesnet

Dolly Grip:
Lonnie Kahoe

Editor:
Kiran Pallegadda
Gordon Antell

Electrician:
Nick Kramer
Ian Pigg
Mason McGuire

Executive Producer:
Anthony Jerjen
Kateryna Merkt
Wolfgang Müller

Extras Casting:
Ron Goleman

Extras Casting Assistant:
Brandy Goleman

First Assistant "A" Camera:
Jared Wennberg

First Assistant "B" Camera:
Diego Montiel

First Assistant Director:
Douglas Boatwright
Chad Rosen

Foley Artist:
Habib Tannous

Foley Mixer:
Alfonso Cano

Gaffer:
Matt Kubas

Grip:
Ronald Gorleski
Chip Kilpatrick
Shane Ruggles

Hair Department Head:
Steve Battaglia

Key Grip:
Daniel J. Rector

Key Makeup Artist:
Janae Burnside

Leadman:
Jonathan Purvis

Line Producer:
Ty Walker

Location Manager:
Dodd Vickers
Kyle Photo Bucher

Makeup Department Head:
Laura Dandridge

Music:
Patrick Kirst

Music Supervisor:
Brienne Rose

Orchestrator:
Patrick O'Malley
Uriel Vanchestein

Producer:
Benito Mueller
Michel Merkt

Production Accountant:
Blaine G. Houserman

Production Coordinator:
Nathan R. Lyle

Production Design:
Tracy Dishman

Production Manager:
Troy Wythe Candor

Property Master:
Marissa Bergman

Script Supervisor:
Andra Hayes
Amy Gilbert

Second Assistant "A" Camera:
Loie Russell-Templeton

Second Assistant "B" Camera:
Daniel Thomas King

Second Assistant Director:
Mikhaela Rosen

Second Second Assistant Director:
Maggie Wilkinson

Second Unit First Assistant Director:
Jeff Fuller

Set Decoration:
Haley Contestabile

Set Dresser:
Kevin Sappington
Renata Wiesnet

Sound Editor:
Steve Bucino

Sound Effects Editor:
Bob Costanza

Sound Mixer:
Jim Morgan

Sound Re-Recording Mixer:
Michael Perricone

Steadicam Operator:
Niels Lindelien

Stunt Coordinator:
Stephen Conroy

Stunt Double:
Michael P. Walker
Kevin Waterman
Juliene Joyner

Supervising Sound Editor:
Michael Perricone

Transportation Captain:
Marvin Prevo

Transportation Coordinator:
Jack Prince

Unit Publicist:
Dana Archer

Writer:
Andrew Crabtree

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.