A work in constant progress (and occasional regress).
Release Date:
March 24, 2019
Original Title:
Treacle
Genres:
Comedy | Drama
Ratings / Certifications:
N/A
Runtime: 18
When friends Jessie and Belle go away for the weekend and drunkenly hook up, what seems like an awkward slip up to a firmly heterosexual Jessie is in fact an incredible betrayal to bisexual Belle.
Assistant Art Director:
Esmeralda De La Cruz
Assistant Editor:
Ana Gabriela Fernández Walean
Shawn Basheer
Attorney:
Shannon Van Dorn
Camera Trainee:
Emma-Charlotte Holmgren
Casting:
Heather Basten
Colorist:
Adam Stannard
Costume Design:
Ella-Louise Gaskell
Digital Imaging Technician:
Joshua Lassing
Director:
Rosie Westhoff
Director of Photography:
Halyna Hutchins
Dramaturgy:
Miranda Harcourt
Driver:
Jason Smith
Editor:
Fiona Brands
Executive Producer:
James Dean
Zeus Zamani
Amy Gardner
First Assistant Camera:
Rebecca Clayton
Lisa Jean Richard
First Assistant Director:
Chloe W. Williams
Gaffer:
Zied Jendoubi
Logan Justice
Sebastian Johnson
Jimmy Jib Operator:
Victor S. Pancerev
Lighting Technician:
Anthony Gagnon
Makeup Designer:
Helena Jopling
Music:
Sam Bryant
Other:
Callum Male
Picture Car Coordinator:
John Kiapos
Producer:
April Kelley
Henry Briggs Kittredge
Sara Huxley
Katie Rotolo
Production Assistant:
Matt Norman
Production Design:
Monique Dias
Script Supervisor:
Ana-Julia Cavana
Second Assistant Camera:
Shawn McGee
Colvin Ang
Second Assistant Director:
Guillermo Patrikios Alum
Sound Recordist:
Victoria Carrillo
Daniel Martinez
Special Effects Supervisor:
Jonny Magowan
Still Photographer:
Jonathan Benbaruk
Ryan Daniell
Studio Teacher:
Heather Marcus
Supervising Sound Editor:
Max Walsh
Title Designer:
Leonardo Verkoelen
VFX Artist:
Jonathan Magowan
Luke Tedder
Writer:
April Kelley
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.