A work in constant progress (and occasional regress).
Release Date:
April 13, 2001
Original Title:
Bridget Jones's Diary
Alternate Titles:
Bridget Jones
Bridget Jones'un Gündəliyi
Burijitto Jonzu no nikki
Dnevnik Bridzhet Dzhons
Dnevnik Bridžit Džouns
Dnevnikŭt na Bridzhit Dzhouns
Shchodennyk Bridzhyt Dzhons
To Imerológio tis Brítzet Tzóouns
Genres:
Comedy | Drama | Romance
Production Companies:
Little Bird
Miramax
StudioCanal
Universal Pictures
Working Title Films
Production Countries:
France | Ireland | United Kingdom | United States of America
Ratings / Certifications:
AU: M BE: 18 CA: R CH: 16 CZ: 18+|12+ DE: 12 DK: 11 ES: 12 FI: K-12 FR: TP GB: 15 HU: 12 IE: 15 KR: 19 MX: C NL: 12 NO: 12 PL: 16 PT: M/12 RO: 18 SE: 7 US: R
Runtime: 97
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
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ADR Editor:
Gillian Dodders
ADR Mixer:
Peter Gleaves
ADR Voice Casting:
Louis Elman
Additional Photography:
Buddy Blackwell
Additional Wardrobe Assistant:
Sheridan Jones
Aerial Camera:
Adam Dale
Art Department Assistant:
Andrea Couch
Art Direction:
Paul Cross
Assistant Accountant:
Fry Martin
Assistant Art Director:
Paul Inglis
Assistant Camera:
Charlie Woodburn
Assistant Costume Designer:
Stephen Noble
Assistant Editor:
Simon Harris
Assistant Script:
Jeanette McGrath
Assistant Sound Editor:
Tom Sayers
Boom Operator:
Tony Bell
Camera Loader:
Charlie England
Bob Cooke
Camera Operator:
Darren De'Ath
Camera Trainee:
Kim Vinegrad
Carpenter:
Ray Bell-Chambers
Casting:
Michelle Guish
Casting Assistant:
Gaby Kester
Casting Director:
Chloe Emmerson
Choreographer:
Alison Mahoney
Co-Producer:
Liza Chasin
Debra Hayward
Color Timer:
Peter Hunt
Compositing Artist:
Adrian Banton
Construction Coordinator:
Alan Chesters
Continuity:
Laura Gwynne
Costume Assistant:
Fiona Coutts
Costume Design:
Rachael Fleming
Costumer:
Carlo Manzi
Data Wrangler:
Darrel Griffin
Digital Effects Supervisor:
Colin Laski
Director:
Sharon Maguire
Director of Photography:
Stuart Dryburgh
Dolby Consultant:
Michael Denner
Dressing Prop:
Peter Hasler
Driver:
Paul Brosnan
Drone Pilot:
Philip George
Editor:
Martin Walsh
Electrician:
Chris Gilbertson
Executive In Charge Of Production:
Michelle Wright
Executive Producer:
Helen Fielding
First Assistant Director:
Stuart Renfrew
First Assistant Editor:
Alastair Grimshaw
Floor Runner:
Vicki Allen
Focus Puller:
Tristam Cones
Foley Artist:
Ricky Butt
Foley Editor:
Peter Holt
Foley Mixer:
Kevin Tayler
Gaffer:
Gary Colkett
Generator Operator:
Micky May
Graphic Designer:
Carol Kupisz
Grip:
Malcolm Beale
Hair Designer:
Graham Johnston
Health and Safety:
Paul Jackson
Helicopter Camera:
Marc Wolff
Key Grip:
Nick Ray
Line Producer:
Peter McAleese
Location Assistant:
Nick Oliver
Location Manager:
Benjamin Greenacre
Makeup Artist:
Carmel Jackson
Lorna McGowan
Makeup Designer:
Vanessa White
Music Editor:
Michael Higham
Music Producer:
Glen Ballard
Music Supervisor:
Nick Angel
Musician:
Tonia Davall
Novel:
Helen Fielding
Orchestrator:
Lawrence Ashmore
Original Music Composer:
Patrick Doyle
Painter:
Michael Gunner
Post Production Supervisor:
Jeanette Haley
Producer:
Jonathan Cavendish
Eric Fellner
Tim Bevan
Production Accountant:
Wendy Ellerker
Production Coordinator:
Hermione Ninnim
Production Design:
Gemma Jackson
Production Executive:
Sarah-Jane Robinson
Production Manager:
Em. L. Muslin
Production Runner:
Linda Benson
Production Secretary:
Ingrid Mende
Production Supervisor:
Brian Donovan
Property Master:
Bruce Bigg
Screenplay:
Richard Curtis
Andrew Davies
Helen Fielding
Script Editor:
Emma Freud
Script Supervisor:
Pat Rambaut
Second Assistant Director:
Finn McGrath
Second Unit Director:
Cilla Ware
Set Decoration:
Shirley Lixenberg
Set Decoration Buyer:
Fergus Clegg
Set Dressing Production Assistant:
Josephine Warne
Songs:
Andy Richards
Sound Assistant:
Steven Wyles
Sound Re-Recording Mixer:
John Hayward
Sound Recordist:
David John
Sound mixer:
David Crozier
Special Effects Assistant:
Jude Harris
Special Effects Supervisor:
David Harris
Special Effects Technician:
Graham Hills
Stand In:
Amy Coop
Standby Painter:
Robert Betts
Steadicam Operator:
Peter Robertson
Still Photographer:
Alex Bailey
Storyboard Artist:
Jane Clark
Stunt Double:
Dani Biernat
Stunts Coordinator:
Peter Brayham
Supervising Art Director:
David Warren
Supervising Carpenter:
David Ned Kelly
Supervising Sound Editor:
Glenn Freemantle
Technical Supervisor:
Martin Preston
Third Assistant Director:
Ed Raymond
Fiona Gosden
Title Designer:
Janice Mordue
Unit Manager:
Claire Tovey
Unit Publicist:
Stacy Mann
Video Assist Operator:
Mike Clark-Hall
Visual Effects Coordinator:
Hal Couzens
Visual Effects Editor:
John Seymour
Visual Effects Producer:
Matthew Holben
Visual Effects Supervisor:
Frazer Churchill
Wardrobe Assistant:
Martin Chitty
Wardrobe Supervisor:
Natalie Ward
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.