A work in constant progress (and occasional regress).
Release Date:
May 28, 2019
Original Title:
Чистое искусство
Alternate Titles:
Tīrā māksla
Чыстае мастацтва
Genres:
Documentary
Production Companies:
Belsat TV
Square Film Studio
Volia Films
Production Countries:
Belarus | Poland
Ratings / Certifications:
N/A
Runtime: 50
A film about contemporary Belarus, freedom and art. A mysterious artist appears on the streets of Minsk and starts to paint. Passers-by, intrigued, want to know what he is creating, but the artist will not reveal his secret. Step by step, the viewers learn more about him. His name is Zahar Cudin and he is one of the most promising Belorussian painters.
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Director:
Maxim Shved
Director of Photography:
Grzegorz Hartfiel
Editor:
Piotr Bodak
Producer:
Magdalena Borowiec
Tatiana Matysiak
Volia Chajkouskaya
Screenplay:
Maxim Shved
Łukasz Czajka
Sound:
Artur Walaszczyk
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.