A work in constant progress (and occasional regress).
Release Date:
May 3, 2010
Original Title:
The Encounter
Alternate Titles:
A találkozás - The Encounter
O caminho para a eternidade
Genres:
Drama | Family
Production Companies:
God & Country Productions
Mission Pictures International
Pure Flix Entertainment
Production Countries:
United States of America
Ratings / Certifications:
BR: livre
Runtime: 85
When five strangers with nothing in common come together at a remote roadside eatery, they place their orders with the diner's omniscient owner, who seems to know everything about them ... and is eerily reminiscent of Jesus Christ.
Associate Producer:
Bradley Dorsey
Boom Operator:
Michael Mori
Carpenter:
Steven Joseph St. John
Rene Fresquez
Leonard Short
Casting:
Billy DaMota
Cinematography:
Darren Rydstrom
Co-Producer:
Andrea Logan White
Byron Jones
Timothy Ratajczak
Sean Paul Murphy
Costume Design:
Cami Nemanich
Director:
David A.R. White
Driver:
Glen Wacker
Editor:
Sean Paul Murphy
Executive Producer:
Carl G.M. Nelson
Timothy Reiad
Joanna Reiad
Jay Allen Richardson
Leonard Samia
Tom Saab
Matthew Reiad
First Assistant Camera:
P.J. Russ
First Assistant Director:
Thomas Zellen
Jimmy Jib Operator:
Andy Jagerson
Key Makeup Artist:
Amber Rae
Lighting Technician:
Taavi Lehtimaki
Makeup Artist:
Andie Michaels
Music:
Ido Waksman
Matt Gates
Post-Production Manager:
Vance Null
Producer:
Brittany Yost
David A.R. White
Russell Wolfe
Elizabeth Hatcher-Travis
Michael Scott
Production Coordinator:
Phillip Abraham
Production Design:
Mona Nahm
Steve Ochoa
Second Assistant Director:
Marc Davies
Sound Designer:
Greg Miller
Sound Mixer:
Randy Lawson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.