A work in constant progress (and occasional regress).
Release Date:
August 27, 1981
Original Title:
La pelle
Alternate Titles:
Die Haut
Dvě tváře války
La Peau
La pelle
La piel
The Skin
Genres:
Drama | War
Production Companies:
Gaumont
Opera Film Produzione
Production Countries:
France | Italy
Ratings / Certifications:
FR: 12
Runtime: 131
Based on the memoirs of author Curzio Malaparte, diplomatic liaison between the Allied and Italian forces after the defeat of the Nazis in Italy, The Skin follows the collapse of Italian society under the US occupation and the desperate measures required for survival.
Administration:
Maria Rosa Bologna
Antonio Pala
Remo Stampiggioni
Assistant Costume Designer:
Alberto Verso
Assistant Director:
Lodovico Gasparini
Assistant Editor:
Rosanna Landi
Cecilia Catalucci
Assistant Set Decoration:
Francesca Lo Schiavo
Boom Operator:
Fabio Ancillai
Camera Operator:
Nino Cristiani
Daniele Nannuzzi
Costume Design:
Piero Tosi
Costume Designer:
Ugo Pericoli
Director:
Liliana Cavani
Director of Photography:
Armando Nannuzzi
Editor:
Ruggero Mastroianni
First Assistant Director:
Paola Tallarigo
Foley Artist:
Italo Cameracanna
Enzo Diliberto
Renato Marinelli
Gaffer:
Marcello Gabriele
Hairstylist:
Iole Cecchini
Grazia De Rossi
Key Grip:
Giulio Diamanti
Makeup Artist:
Alfonso Gola
Pietro Tenoglio
Music Supervisor:
Giorgio Agazzi
Novel:
Curzio Malaparte
Original Music Composer:
Lalo Schifrin
Painter:
Agostino Bivi
Galliano Leoni
Production Design:
Dante Ferretti
Production Manager:
Sergio Iacobis
Marc Maurette
Production Secretary:
Andrea Bolognini
Production Supervisor:
Giuseppe Auriemma
Richard Borg
Filippo Campus
Screenplay:
Robert Katz
Liliana Cavani
Catherine Breillat
Script Supervisor:
Maria Luisa Rosen
Seamstress:
Maria Castrignano
Iolanda Di Pasquale
Nefte Riccò
Second Assistant Director:
Alberto Acciarito
Colette Caron
Roberta Mazzoni
Set Decoration:
Renato Ventura
Sound Effects Editor:
Italo Cameracanna
Sound Engineer:
Michael Billingsley
Sound Mixer:
Romano Pampaloni
Special Effects:
Adriano Pischiutta
Still Photographer:
Patrizia Mannajuolo
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.