A work in constant progress (and occasional regress).
Release Date:
October 12, 2019
Original Title:
Love, Fall & Order
Alternate Titles:
Amor en otoño
Genres:
Romance | TV Movie
Production Companies:
Hallmark Media
Production Countries:
United States of America
Ratings / Certifications:
US: G
Runtime: 90
When Claire goes home to save her dad's annual Fall Fest on her family's pumpkin farm, sparks fly with an old rival – the opposing lawyer she now faces in court.
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"B" Camera Operator:
Jeremy Prusso
Additional Music:
Irving Victoria
Additional Second Assistant Director:
Ryan Pederson
Aaron Walters
Animal Wrangler:
Brandice Brown
Art Direction:
Leslie Smoot
Assistant Editor:
Katy Baldwin
Assistant Location Manager:
Danielle Scharf
Assistant Production Coordinator:
Lydia Nielsen Painter
Best Boy Electric:
Spencer Scanlon
Best Boy Grip:
KeAlii Johnson
Boom Operator:
Bryce Bishop
Joe Adamic
Casting:
Penny Perry
Jennifer Buster
Colorist:
Russ Lasson
Costume Assistant:
Kooper Campbell
Anne Marie McDowell
Taylor Swensen
Costume Design:
Anna K. Findlay
Costume Supervisor:
Emily Jacobsen
Costumer:
Rebecca Barry
Dialogue Editor:
Nate Hoffman
Digital Imaging Technician:
Bradley Crane
Director:
Clare Niederpruem
Director of Photography:
Kristoffer Carrillo
Editor:
Kristi Shimek
Electrician:
Dan Haskell
Executive Producer:
Maclain Nelson
Extras Casting Coordinator:
Terry Prather
First Assistant "A" Camera:
Ben Haskin
First Assistant "B" Camera:
Jameson Dressen
First Assistant Accountant:
Emma Carlin
First Assistant Director:
Ryan Miningham
Foley Artist:
Vladimir Smagin
Yuri Pridachin
Foley Editor:
Alexander Chugunov
Boris Tcarev
Foley Mixer:
Igor Kuzmenko
Alexey Kapyttsyn
Foley Supervisor:
Yuri Pridachin
Gaffer:
Phil Shepherd
Grip:
Danny Shepherd
Key Grip:
Kevin Woodward
Key Hair Stylist:
Jenna Kilgrow
Key Makeup Artist:
Maika Taylor
Leadman:
Chase Coleman
Location Assistant:
Trieste Prusso
Location Manager:
Jay Miller
Makeup & Hair:
Leslie Kidman
Mikaela Hansen
Diana Torres
Britlyn Gordon
Bobbi Farnworth
Music:
Alec Puro
Music Supervisor:
Alec Puro
Online Editor:
Paul Tuft
Post Production Supervisor:
Micah Young
Producer:
David M. Wulf
Production Accountant:
Ashley Carlin
Production Coordinator:
Austin Everett
Production Design:
Diane Millett
Production Supervisor:
Jiayin Zheng
Property Master:
Hunter Nelson
Props:
Jerika Hermansen
Script Supervisor:
Briana Wall
Second Assistant "A" Camera:
Preston Lewis
Second Assistant "B" Camera:
Stephanie Bogdan
Second Assistant Director:
Ryan McDowell
Set Costumer:
Juliette Lewis
Set Decoration:
Leslie Smoot
Bronte Campbell
Set Dresser:
Bronte Campbell
Ellie Weeks
Nelson Bruggeman
Phillip Heckel
Jasmyn Hildebrandt
Justin Wayne Walker
Aubrey Snyder
Matthew Buckner
Jonathan Cheney
Sound Effects Editor:
China Khoral
Sound Mixer:
David Adamic
Sound Re-Recording Mixer:
Nate Hoffman
Steadicam Operator:
Ryan Hannah
Supervising Sound Editor:
Nate Hoffman
Transportation Captain:
Donnie Patton
Transportation Coordinator:
Brett Miller
Unit Production Manager:
Jake Van Wagoner
Visual Effects Supervisor:
Ben Burrell
Writer:
Audrey Shulman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.