A work in constant progress (and occasional regress).
Release Date:
August 15, 2019
Original Title:
Todos cambiamos
Genres:
Drama
Production Companies:
Freedom Films
GC Films
Q Films
Production Countries:
Panama
Ratings / Certifications:
N/A
Runtime: 100
The Ponce family is the perfect family that lives in the quiet mountain town of Bambito, Panama. Federico is a successful father. Carol is the loving mother of three wonderful children. Despite perfect appearances, Federico and Carol share a secret: when they have a date night, they are accompanied by Lizzie - a fun and confident woman who is actually Federico dressed up as a woman. What perhaps began as a fun game, soon becomes Federico's struggle to keep his family together and save his own life when he chooses to undergo gender reassignment surgery in Thailand.
Boom Operator:
Cesar Augusto Sanchez
César Sánchez
Cinematography:
Aaron Bromley
Colorist:
Raúl Lavado Verdú
Conductor:
Oleg Kondratenko
Costume Design:
Magali Teillol
Dialogue Editor:
Eleazar Moreno Ortiz
Digital Imaging Technician:
Jose Guardi
Director:
Arturo Montenegro
Editor:
Victor Kam
Arturo Montenegro
Foley Artist:
David Alvarez Zerpa
Eleazar Moreno Ortiz
Gaffer:
Cesar Chávez
Grip:
Eric Magallón
Lighting Technician:
Eric Magallón
Music:
Pablo Borghi
Laurent Koppitz
Music Editor:
Elisa Ottati
Orchestrator:
Pablo Borghi
F.A.M.E.S. Project
Bruno Valenti
Screenplay:
Arturo Montenegro
Script Supervisor:
Thamara Tejada
Sound:
Gustavo González
Sound Designer:
Fahil Flores
Sound Editor:
Fahil Flores
Eleazar Moreno Ortiz
Sound Recordist:
José Rommel Tuñón
Visual Effects:
Andrés Borghi
Samuel López
Avilo Montenegro
Antonio Zapata
Writer:
Henry Corcuera
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.