A work in constant progress (and occasional regress).
Release Date:
August 25, 2019
Original Title:
Chronicle Mysteries: The Deep End
Genres:
Mystery | TV Movie
Production Companies:
Lighthouse Pictures
Production Countries:
Canada
Ratings / Certifications:
US: PG
Runtime: 85
The latest edition of Alex McPherson’s true crime podcast centers on the death of a man whose wife seems certain to be convicted for his murder. Fairly certain that the woman did not kill her husband, it’s up to Alex to figure out who the real killer is as the trial heads toward its conclusion.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Dany Lavoie
"B" Camera Operator:
Craig Cross
Art Direction:
Elizabeth Jackson
Assistant Accountant:
Gretchen Heatley
Assistant Costume Designer:
Yasmeen Arruchi-Mullen
Assistant Editor:
Joseph K. Vance
Assistant Hairstylist:
Wanita Ranighuna
Assistant Location Manager:
Sean Jmaeff
Assistant Makeup Artist:
Brooklyn Harnish
Fran Cervellin
Assistant Production Coordinator:
Brea Malinsky
Assistant Set Decoration:
Colin R. Potter
Assistant Sound Editor:
Sean Szutka
Associate Producer:
B.F. Painter
Best Boy Electric:
Dean Morris
Boom Operator:
Jack MacDonald
Casting:
Jackie Lind
Colorist:
Thor Roos
Construction Coordinator:
Cameron Mckay
Costume Designer:
Florence Barrett
Costume Set Supervisor:
Joanna Marie Dubenski
Costumer:
Igor Santizo
Craft Service:
Jeremiah Franco
Maria Cooper
Dialogue Editor:
Aaron Olson
Digital Imaging Technician:
Andrew Povill
Director:
Nimisha Mukerji
Director of Photography:
Kamal Derkaoui
Dolly Grip:
Chris Devito
Nicholas J. Palfy
Editor:
Kelly Herron
Executive Producer:
Jamie Goehring
Shawn Williamson
Melissa Salmons
Craig Baumgarten
Alison Sweeney
Extras Casting:
Stephanie Boeke
First Assistant "A" Camera:
Stephan DuVal
First Assistant "B" Camera:
Tyler Meehan
First Assistant Director:
John Mein
First Assistant Editor:
Andrew Notman
Foley Artist:
Bonnie Lambie
Ian Mackie
Foley Recording Engineer:
Rick Senechal
Gaffer:
Chuck Reid
Generator Operator:
Dominador Peralta
Grip:
Jason Feenstra
Garnet Collinson
Jory Mosser
Key Hair Stylist:
Miranda Upton
Samantha Pinter
Key Makeup Artist:
Tracy George
Lead Set Dresser:
Mathew Drummond
Line Producer:
Costa Vassos
Location Manager:
Christina Ollson
Music:
Brent Belke
Online Editor:
Joy Lin
Jay Harada
Post Production Supervisor:
B.F. Painter
Producer:
Kevin Leslie
Production Accountant:
Trudi Thorwaldson
Production Coordinator:
Joey Setter
Production Design:
Jackie Miller
Production Manager:
Costa Vassos
Property Master:
Michelle Allan
Props:
Jonathan Krauth
Zach Treble
Script Supervisor:
Anita Reilly McGee
Second Assistant "A" Camera:
Beth Hexem
Second Assistant "B" Camera:
Randy Meehan
Set Decoration:
Mykhila Drummond
Set Dresser:
Aaron Torpe
Jake Kowalski
Kelly Dolloway
Sound Designer:
Ryan Thompson
Sound Editor:
Kevin Barron
Sound Mixer:
Sam Beatch
Sound Re-Recording Mixer:
David Green
Joe Watts
Still Photographer:
Farah Nosh
Stunt Coordinator:
Mike Crestejo
Paul Wu
Owen Walstrom
Supervising Producer:
Jonathan Shore
Third Assistant Director:
Manon Lewis
Transportation Captain:
Ghilas Aiteur
Transportation Coordinator:
Dean Fitzpatrick
Truck Costumer:
Levi Gaecia
Visual Effects:
Ben Pickles
Writer:
Melissa Salmons
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.