A work in constant progress (and occasional regress).
Release Date:
August 19, 2019
Original Title:
Cão Maior
Genres:
Drama | Science Fiction
Production Countries:
Brazil
Ratings / Certifications:
BR: 12
Runtime: 20
Canis Majoris is a short science fiction gay film about affection and adolescence that takes place in the peripheral cities of the Federal District, in Brazil. Icaro is a Brazilian teenager who tries to fill his time to kill boredom on vacation. During the summer vacation, returning from a football match, he meets Joao. Together they witness the appearance of a new star in the sky, which makes the nights on Earth red and hot. Trying to cope with the fact that they are growing, with the tedium and the extra heat this summer, Icaro and Joao begin to spend nights together in the streets of the city and discover that, in addition to the star, something is emerging between them.
Art Direction:
Jéssica Barros
Assistant Camera:
Louise Menezes
Glória Maria Silva
Déborah Siqueira
Assistant Director:
Cecília Bastos
Assistant Property Master:
Clara Smith
Boom Operator:
Gabriel Ferreira
Ketyllin de Abreu
Jusef Felipe
Colorist:
Filipe Alves
Rafael Stadniki
Continuity:
Jéssica Barros
Luiza Rodrigues Santana
Costume Design:
Ana Paula Di Flora
Jéssica Barros
Dialogue Editor:
Gabriel Pimentel
Director:
Filipe Alves
Director of Photography:
Arthur Menezes
Rafael Stadniki
Executive Producer:
Ariane Lamarão
Cecília Bastos
Gabriel Pimentel
Graphic Designer:
Jéssica Barros
Makeup Artist:
Luiza Rodrigues Santana
Producer:
Ariane Lamarão
Property Master:
Luiza Rodrigues Santana
Set Designer:
Jéssica Barros
Luiza Rodrigues Santana
Sound Effects Editor:
Juliana Do Vale
Sound Mixer:
Gabriel Pimentel
Sound Recordist:
Juliana Do Vale
Jusef Felipe
Unit Production Manager:
Ariane Lamarão
Visual Effects:
Filipe Alves
Rafael Stadniki
Writer:
Gabriel Pimentel
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.