A work in constant progress (and occasional regress).
Release Date:
August 4, 2019
Original Title:
REM
Genres:
Drama | Science Fiction
Production Companies:
AFDA
Production Countries:
South Africa
Ratings / Certifications:
N/A
Runtime: 12
"REM" is an Afrikaans Sci-Fi Drama about a grief-stricken father, Dehan, who becomes obsessed with the memory of his late wife, Lena, through the use of a high-tech, dream-altering device, the REM. This unhealthy obsession leads to Dehan struggling to reconnect with his young son, Erich, who survived the car accident that caused Lena's death. Dehan must decide to face and to confront his grief, reconnecting with his son, or to become so immersed in his fantasy dream-world that he loses touch with reality, and Erich, altogether.
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Art Department Assistant:
Robert Wanblad
Richard Ellis
Art Department Manager:
Elizma de Villiers
Best Boy Grip:
Dieter Pey
Jarod Kemp
Data Wrangler:
Armand Botha
Digital Imaging Technician:
Armand Botha
Director:
Cara Leane Spence
Director of Photography:
Justin Vallay
Editor:
Amy Stohrer
Editorial Production Assistant:
Ashley Jacobs
First Assistant "A" Camera:
Kalee Karsten
First Assistant Director:
Maryke le Roux
Gaffer:
Nicholas Faure
Makeup & Hair:
Abigail Jacobson
Makeup & Hair Assistant:
Juvae Sewpersad
Makeup Effects:
Abigail Jacobson
Music:
Richard Gauld
Producer:
Sam Pelteret
Production Assistant:
Justin Vallay
Isabella Duisberg
Richard Ellis
Production Design:
Elizma de Villiers
Second Assistant "A" Camera:
Trine Lysholm
Second Assistant Director:
Valerie Britz
Sound Assistant:
Noah de Villiers
Sound Designer:
Richard Gauld
Still Photographer:
Juvae Sewpersad
Unit Production Manager:
Sam Pelteret
Wardrobe Supervisor:
Abigail Jacobson
Writer:
Cara Leane Spence
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.