A work in constant progress (and occasional regress).
Release Date:
April 21, 2011
Original Title:
03:34 Terremoto en Chile
Alternate Titles:
Terremoto En Chile
Genres:
Drama | Thriller
Production Countries:
Chile
Ratings / Certifications:
N/A
Runtime: 100
Survivors witness the terror and devastation brought by a massive earthquake and tsunami that hit Chile in 2010.
Art Direction:
Guillermo Donoso V.
Assistant Production Design:
Violeta Rates
Associate Producer:
Carlos Hansen
Audio Post Coordinator:
Marcelo González L.
Best Boy Grip:
Gogi Farias
Casting:
Pilar Zderich
Continuity:
Cecilia Valencia
Director:
Juan Pablo Ternicier
Director of Photography:
Rodrigo Avilés
Dolly Grip:
Alvaro Pallalef
Editor:
Javier Estévez
Juan Cristóbal Hurtado
Electrician:
Marco 'Cachorro' Romero
Philip 'Razativa Roots'
Oscar Riquelme
Executive Consultant:
William Rogers C.
Executive Producer:
Sebastián Gazmuri G.
Cristián Zaldívar P.
First Assistant Director:
Leonardo Peralta
Focus Puller:
Rodrigo Villela
Grip:
Leandro Herrera
Hairdresser:
Ximena Aravena
Line Producer:
Francisco Baldivia
Location Manager:
Victoria Cuenca
Makeup Designer:
Ximena Aravena
Music Editor:
Pablo Mardones
Musician:
Rolando Arancibia
Original Music Composer:
Marcelo González L.
Producer:
Martin Rogers C.
Production Coordinator:
Consuelo González
Production Manager:
Edgardo Retamal E.
Screenplay:
Mateo Iribarren
Second Assistant Camera:
Esteban Truyol
Second Assistant Director:
Ana Nigoevic
Set Decoration:
Tania Leiva
Sound Designer:
Marcelo González L.
Sound Editor:
Rubén Moreno
Sound Effects Designer:
Pablo Esquer
Sound Mixer:
Rubén Moreno
Special Effects Makeup Artist:
Ximena Aravena
Steadicam Operator:
Mirko Zlatar
Thanks:
Trinidad González
Third Assistant Camera:
Liss Fernandez
Third Assistant Director:
Francisco Ferrada
Underwater Camera:
Mirko Zlatar
Wardrobe Master:
Francisca Emparanza
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.