A work in constant progress (and occasional regress).
Release Date:
April 5, 2016
Original Title:
The Pick-Up Sticks
Genres:
Comedy
Production Companies:
New Form Digital
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 16
The cameras turn off on your favorite children's TV show, and the young idols turn out to be a parent's worst nightmare. The Pick-Up Sticks follows Bethany, Mandy, Billy and Coobie. They're teen role models who teach daily lessons to kids with the help of the show's lovable leader, Roger the Rhino. But, when the veil of Hollywood is lifted, we learn the actors are actually late-20s fuckups. Don't Judge a Book by its Cover, indeed.
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"B" Camera Operator:
Jeremy Peele
Art Direction:
Christopher Martinez
Associate Producer:
Sam Schlesinger
Boom Operator:
Jacob Miller
Choreographer:
Ray Garcia
Colorist:
Ken Schefler
Costume Designer:
Mary Danner
Creative Consultant:
Adam Newacheck
Kyle Newacheck
Creator:
Natalie Lander
Michelle Glavan
Director:
Jared Hillman
Director of Photography:
John Orphan
Editor:
Jared Hillman
Effects Supervisor:
David Mesloh
Executive Producer:
Kathleen Grace
Melissa Schneider
First Assistant Camera:
Eric Ugland
Arturo Ochoa
First Assistant Director:
Sam Schlesinger
Gaffer:
Jorge Hernandez
Grip:
Carlos Oropeza
Andrew Frick
Makeup & Hair:
Jordan Gamboni
Yvette Mikkelson
Mixing Engineer:
Michael Holcomb
Music:
Jonas Petersen
Danny Kastner
Producer:
Natalie Lander
Michelle Glavan
Production Assistant:
Tom Grabon
Joanne Ramos
Ales Ordelt
Grant Jornacion
Production Design:
Nicholas Faiella
Production Manager:
Elyse Rosenfield
Second Assistant Director:
Jay Aaseng
Sound Designer:
Paul Col
Sound Editor:
Paul Col
Sound Mixer:
Paul Col
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.