A work in constant progress (and occasional regress).
Featuring:
Shelley Winters, Richard Conte, Stephen McNally
Written by:
Ernest K. Gann
Directed by:
George Sherman
Release Date:
November 1, 1951
Original Title:
The Raging Tide
Genres:
Crime | Drama | Thriller
Production Companies:
Universal International Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 93
A San Francisco hood is rubbed out by rival Bruno Felkin, who himself reports the crime to Homicide Lt. Kelsey in an alibi scheme which fails. To escape, he stows away on a fishing boat. At sea, skipper Hamil Linder receives Bruno kindly, teaching him fishing; Bruno enlists Hamil's wayward son Carl to tend his slot machines. Then Carl takes an interest in Bruno's girl Connie. Climax in a storm at sea.
A San Francisco hood is rubbed out by rival Bruno Felkin, who himself reports the crime to Homicide Lieut. Kelsey in an alibi scheme which fails. To escape, he stows away on a fishing boat. At sea, skipper Hamil Linder receives Bruno kindly, teaching him fishing; Bruno enlists Hamil's wayward son Carl to tend his slot machines. Then Carl takes an interest in Bruno's girl Connie. Climax in a storm at sea.
Art Direction:
Hilyard M. Brown
Bernard Herzbrun
Assistant Director:
Frank Shaw
Associate Producer:
John W. Rogers
Camera Operator:
Philip H. Lathrop
Costume Design:
Bill Thomas
Dialogue Coach:
Irvin Berwick
Director:
George Sherman
Director of Photography:
Russell Metty
Editor:
Ted J. Kent
Hairstylist:
Joan St. Oegger
Makeup Artist:
Bud Westmore
Novel:
Ernest K. Gann
Original Music Composer:
Frank Skinner
Producer:
Aaron Rosenberg
Screenplay:
Ernest K. Gann
Set Decoration:
Oliver Emert
Russell A. Gausman
Sound:
Leslie I. Carey
Corson Jowett
Bill Swartz
Special Effects:
David S. Horsley
Technical Advisor:
Harvey McDowell
Unit Manager:
Lew Leary
Visual Effects:
David S. Horsley
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.