Home

wOrlD (2019) [N/A]

Gallery Unavailable

Release Date:
July 22, 2019

Original Title:
wOrlD

Alternate Titles:
wOrlD - Try Walking in Our Shoes

Production Countries:
Germany

Ratings / Certifications:
 N/A

Runtime: 8

Overview from TheMovieDB

This movie, shot entirely in a perfectly circular aspect ratio, showcases one couple's morning routine in all its banality, as they get ready for work. The incredibly diverse lifestyles that are lived in our society suggest that the concept of normality is something that no longer has a place in people's minds. Nevertheless, the concept of "normality" significantly influences the lives of people - based only on different themes, actions, objects and subjects. This is not limited to conservative lifestyles. It is not the task of this film to criticize conventional forms of life, but to question the concept of convention in the unconventional. "Normal" means something quite different for very different people.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Performers

Click the heading above to show or hide the list.

Production

Boom Operator:
Christof Schnauß

Catering Head Chef:
Tobias Eichhorn

Color Grading:
Noemi Spano
Selina Klatt
Mini J. Bartl

Costume Design:
Noemi Spano

Director:
Mini J. Bartl

Director of Photography:
Arnold Bergen

Editor:
Reik
Arnold Bergen
Mini J. Bartl

First Assistant Camera:
Patrick Fleischer

Gaffer:
Christof Schnauß
Patrick Fleischer

Idea:
Mini J. Bartl

Music Arranger:
Dominik Klusacek

Production Manager:
Selina Klatt

Production Sound Mixer:
Christof Schnauß

Second Assistant Camera:
Alma Bächtold

Set Decoration:
Noemi Spano

Sound Designer:
Reik
Mini J. Bartl

Sound Editor:
Arnold Bergen

Vocals:
Zoe Köppen
Dominik Klusacek

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.