A work in constant progress (and occasional regress).
Featuring:
Louis Armstrong, Josephine Baker, Philando Castile
Directed by:
Ja'Tovia Gary
Release Date:
August 10, 2019
Original Title:
The Giverny Document (Single Channel)
Genres:
Documentary
Production Countries:
France | United States of America
Ratings / Certifications:
N/A
Runtime: 42
Filmed on location in Harlem and in Monet’s historic gardens in Giverny, this multi-textured cinematic poem meditates on the bodily integrity and creative virtuosity of black women.
Ja'Tovia presents a reflection on the safety and physical integrity of black women. Combining different materials, the film juxtaposes Harlem street interviews with excerpts about Nina Simone concerts and Claude Monet's performances.
Animation:
Ja'Tovia Gary
Co-Producer:
Artesia Balthrop
Director:
Ja'Tovia Gary
Director of Photography:
Mia Cioffi Henry
Editor:
Ja'Tovia Gary
Producer:
Paige Woodward
Ja'Tovia Gary
Sound:
Emily Strong
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.