A work in constant progress (and occasional regress).
Release Date:
June 3, 1977
Original Title:
Silver Bears
Genres:
Comedy | Crime
Production Companies:
EMI Films
Raleigh Films
Production Countries:
United Kingdom
Ratings / Certifications:
US: PG
Runtime: 113
Financial wizard "Doc" Fletcher is sent by crime boss Joe Fiore to buy a bank in Switzerland in order to more easily launder their profits. When he arrives, Fletcher finds that the bank, acquired by his associate Prince di Siracusa, consists of some shabby offices above a restaurant. To make up for this, the Prince suggests that Fletcher invests in a silver mine owned by Shireen and Agha Firdausi. This solves one problem, but the mine also attracts the attention of some of the most powerful people in the silver business. Fletcher must pull out all his wheeler-dealing skills in order to keep hold of everything he's worked for, in the process romancing a banker's discontented wife.
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Art Direction:
Edward Marshall
Assistant Art Director:
Kenneth Ryan
Assistant Editor:
Nigel Galt
Assistant Sound Editor:
Jeremy Hume
Boom Operator:
Mike Tucker
Camera Operator:
Mike Roberts
Casting:
Irene Lamb
Construction Manager:
Terry Apsey
Continuity:
Ann Skinner
Costume Design:
Karl Lagerfeld
Ruth Myers
Costume Supervisor:
Elsa Fennell
Director:
Ivan Passer
Director of Photography:
Anthony B. Richmond
Editor:
Bernard Gribble
Electrician:
Derek Suter
Executive Producer:
Martin C. Schute
First Assistant Director:
Mike Gowans
Gaffer:
Martin Evans
Hairstylist:
Betty Glasow
Mike Jones
Makeup Artist:
Eric Allwright
Freddie Williamson
Music:
Claude Bolling
Producer:
Arlene Sellers
Alex Winitsky
Production Accountant:
Michael Brent
Production Assistant:
Vicki Deason
Production Manager:
Brian Burgess
Second Assistant Director:
Bob Howard
Set Decoration:
Josie MacAvin
Sound Mixer:
Roy Charman
Writer:
Peter Stone
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.