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Release Date:
November 9, 2019
Original Title:
The Metropolitan Opera: Madama Butterfly
Genres:
Drama | Music
Production Companies:
The Metropolitan Opera
Production Countries:
United States of America
Ratings / Certifications:
KR: ALL
Runtime: 142
Ever since it opened the 2006–07 season, Anthony Minghella’s striking production of Madama Butterfly has been a Met classic. Drawing inspiration from traditional Japanese theater, Minghella’s staging retells this heartbreaking tale with brilliant stagecraft, bold colors, and bunraku puppetry. In this Live in HD performance from the fall of 2019, Chinese soprano Hui He stars as Cio-Cio-San, the young geisha who puts her trust in a visiting American naval officer, only to later be abandoned by him. In a feat of operatic heroics, tenor Bruce Sledge appears as the callous Pinkterton, stepping into the role on short notice to replace an ailing colleague. Pier Giorgio Morandi conducts one of opera’s most tragic masterpieces, leading a cast that also includes mezzo-soprano Elizabeth DeShong as Cio-Cio-San’s loyal companion, Suzuki, and Tony Award–winning baritone Paulo Szot as the U.S. consul Sharpless.
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Choreographer:
Carolyn Choa
Conductor:
Pier Giorgio Morandi
Costume Designer:
Han Feng
Director:
Habib Azar
Dramaturgy:
Paul Cremo
Executive Producer:
Peter Gelb
Lighting Design:
Peter Mumford
Makeup Department Head:
Tera Willis
Music Producer:
Tim Martyn
Original Music Composer:
Giacomo Puccini
Original Story:
David Belasco
Producer:
Victoria Warivonchik
Louisa Briccetti
Production Design:
Anthony Minghella
Set Designer:
Michael Levine
Stage Director:
Paula Williams
Supervising Producer:
Elena Park
Mia Bongiovanni
Technical Supervisor:
Ron Washburn
Wardrobe Master:
Stephanie Spangler
Writer:
Luigi Illica
Giuseppe Giacosa
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.