A work in constant progress (and occasional regress).
Release Date:
November 25, 2020
Original Title:
Ma Rainey's Black Bottom
Alternate Titles:
A Voz Suprema do Blues
La madre del blues
Genres:
Drama | Music
Production Companies:
Escape Artists
Mundy Lane Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BR: 14 DE: 16 ES: 16 FR: 16 GB: 15 HU: 16 IE: 15A JP: R18+ KR: 15 PL: 16 SG: M18 TR: R US: R
Runtime: 94
Tensions rise when the trailblazing Mother of the Blues and her band gather at a Chicago recording studio in 1927. Adapted from August Wilson's play.
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Art Direction:
James F. Truesdale
Assistant Art Director:
Wes Hottman
Casting:
Avy Kaufman
Costume Designer:
Ann Roth
Director:
George C. Wolfe
Director of Photography:
Tobias A. Schliessler
Editor:
Andrew Mondshein
Executive Producer:
Constanza Romero
First Assistant Director:
Michele Ziegler
Makeup Artist:
Rachel Geary
Bethany Montecalvo
Bethany Townes
Jai Williams
Sergio Lopez-Rivera
Sian Richards
Carl Fullerton
Makeup Department Head:
Matiki Anoff
Makeup Supervisor:
Debi Young
Original Music Composer:
Branford Marsalis
Producer:
Todd Black
Denzel Washington
Dany Wolf
Production Design:
Mark Ricker
Prosthetics:
Gary Archer
Screenplay:
Ruben Santiago-Hudson
Script Supervisor:
Megan Graham
Second Assistant Director:
Xanthus Valan
Set Buyer:
Paul Bucciarelli
Set Decorating Coordinator:
Darlene Salinas
Set Decoration:
Karen O'Hara
Diana Stoughton
Set Designer:
Travis Kerr
Sound Re-Recording Mixer:
Skip Lievsay
Stunt Coordinator:
Chuck Jeffreys
Supervising Sound Editor:
Skip Lievsay
Paul Urmson
Theatre Play:
August Wilson
Visual Effects:
Josephine Allegretti
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.