A work in constant progress (and occasional regress).
Release Date:
March 5, 2020
Original Title:
Vou Nadar Até Você
Alternate Titles:
Ophelia's Death
Vou Nadar Até Você
Genres:
Drama
Production Companies:
Coração da Selva
Mar Filmes
Norami Films
Production Countries:
Brazil
Ratings / Certifications:
BR: 16
Runtime: 107
Ophelia is a 20-year-old girl who lives with her mother and grew up without a father. She suspects that he is Tedesco, a German artist who has just returned to Brazil. Determined to find him, she sends a letter notifying him of her arrival and that she will swim to him from the Santos bridge. Upon learning of the imminent arrival, Tedesco asks Smutter, his great friend, to start following her closely.
Art Direction:
Victor Lema Rique
Assistant Camera:
Lucas de Albuquerque Lourenço
Assistant Editor:
Igor Daurício
Boom Operator:
Guilherme Shinji
Camera Operator:
Lucas Gaspar Pupo
Casting:
Renata Kalman
Cinematography:
Alexandre Ermel
Co-Director:
Luciano Patrick
Costume Design:
André Simonetti
Creator:
Klaus Mitteldorf
Director:
Klaus Mitteldorf
Director of Photography:
Alexandre Ermel
Editor:
Daniel Grinspum
Gustavo Giani
Executive Producer:
Geórgia Costa Araújo
Peter Ketnath
Luciano Patrick
Andrezza de Faria
First Assistant Director:
Rodrigo Diaz Diaz
Kimie Koike
Foley Artist:
Manon Ribat
Gaffer:
Alvaro Brito
Producer:
Geórgia Costa Araújo
Klaus Mitteldorf
Joana Mariani
Production Director:
Nicole Weckx
Production Manager:
Stella Rainer
Second Assistant Camera:
Cauê Laratta
Second Assistant Director:
Paula Costa
Camila Nicodemos
Sound Editor:
Vitor Moraes
Débora Morbi
Camila Mariga
Miriam Biderman
Sound Mixer:
Ricardo Reis
Sound Recordist:
Gabriela Cunha
Steadicam Operator:
Ariel Schvartzman
Writer:
Nina Crintzs
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.