A work in constant progress (and occasional regress).
Release Date:
October 17, 2019
Original Title:
The Ascent
Alternate Titles:
Black Ops
Stairs
The Ascent
스테어즈
Genres:
Action | Horror | Science Fiction
Production Companies:
Mosley Productions
Production Countries:
United Kingdom
Ratings / Certifications:
US: R
Runtime: 103
Special ops squad "Hell's Bastards" are sent to infiltrate a civil war to retrieve intel. The unit soon find themselves trapped on a never-ending stairwell forced to climb or die. To survive, they must revisit their past sins if they ever want to get off.
Art Direction:
Toni Michieli
James Wilson
Boom Operator:
Paul Caton
Camera Operator:
Jonny Rhodes
Casting Director:
Michelle Holmes
Co-Producer:
Alan Latham
Colorist:
Matthew Wingad
Costume Designer:
Spyke Tombs
Director:
Tom Paton
Director of Photography:
George Burt
Executive Producer:
Steve Mosley
Kirsty Bell
Phil McKenzie
First Assistant Camera:
Craig Lees
First Assistant Director:
Mikel Iriarte
Foley Artist:
Franziska Treutler
Gaffer:
Patrick Gillespie
Line Producer:
Alexa Waugh
Makeup Artist:
Nadia Harrison
Makeup Designer:
Nadia Harrison
Original Music Composer:
Max Sweiry
Post Production Supervisor:
Kate Wright
Producer:
Alexa Waugh
Mikel Iriarte
George Burt
Tom Paton
Production Design:
Matt Page
Second Assistant Camera:
Joe Potts
Sound Mixer:
Matthew Price
Sound Re-Recording Mixer:
Adam Daniel
Graham Daniel
Stunt Coordinator:
Darren Le Fevre
Stunts:
Ermar Alexander
AJ Blackwell
Jon Callaway
Spencer Collings
Supervising Sound Editor:
Fred Englefield
Writer:
Tom Paton
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.