A work in constant progress (and occasional regress).
Release Date:
October 14, 2022
Original Title:
Orzeł. Ostatni patrol
Genres:
Drama | History | War
Production Companies:
Aura Films
Gdyńskie Centrum Filmowe
Produkcja Filmów Jacek Bławut
Telewizja Polska
Wytwórnia Filmów Dokumentalnych i Fabularnych
Production Countries:
Poland
Ratings / Certifications:
BR: 12 GB: 12 IE: 12
Runtime: 104
It's 1940. German forces are prevailing over Allies across Europe. The crew of the Polish submarine, now serving in the Royal Navy, is waging a heroic fight against the invisible enemy.
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Acting Double:
Ignacy Martusewicz
Administration:
Halina Malesa
Katarzyna Ziarnik
Katarzyna Szewczuk
Animation:
Piotr Dobaczewski
Marek Głatki
Błażej Andrzejewski
Robert Urban
Boom Operator:
Konrad Winconek
Piotr Tuśnio
Karol Szykowny
Mikolaj Teodorescu
CG Supervisor:
Miron Błocki
Camera Operator:
Paweł Szkolik
Janusz Julo Sus
Michał Witt
Robert Chaciński
Casting:
Marta Masłowska
Catering:
Krzysztof Adamus
Mateusz Ciarka
Co-Producer:
Krzysztof Magowski
Marcin Skabara
Justyna Podlecka
Jacek Bławut
Jerzy Rados
Leszek Kopeć
Agnieszka Bedkowska
Zbigniew Domagalski
Compositing Artist:
Krzysztof Złośnik
Radosław Rekita
Compositor:
Miron Błocki
Mateusz Bargiel
Coordinating Producer:
Anna Ostalska
Costume Assistant:
Aleksandra Tyszkowska
Costume Design:
Małgorzata Zacharska
Dialogue Editor:
Radosław Ochnio
Digital Compositor:
Adam Janeczek
Piotr Borowski
Nathalie Comjean
Paweł Małkowski
Digital Intermediate:
Bartosz Kanadys
Director:
Jacek Bławut
Director of Photography:
Jolanta Dylewska
Editor:
Bartłomiej Piasek
Piotr Wójcik
Grip:
Wojciech Piasecki
Rafał Kwiatkowski
Edwin Wolski
Health and Safety:
Wojciech Konkol
Lighting Artist:
Piotr Dobaczewski
Marek Głatki
Marek Netzel
Mateusz Bargiel
Krzysztof Dębski
Makeup Artist:
Dariusz Krysiak
Master Lighting Artist:
Piotr Kryska
Matte Painter:
Daniel Niszczota
Igor Firkowski
Nikola Angelkoski
Modeling:
Tomasz Witkowski
Daniel Niszczota
Musician:
Jacek Piotr Blawut
Original Music Composer:
Jacek Piotr Blawut
Pipeline Technical Director:
Witold Duraj
Łukasz Dąbała
Tomasz Kurgan
Mateusz Wójt
Jarosław Zawiśliński
Post-Production Manager:
Olgierd Grodzki
Producer:
Anna Bławut-Mazurkiewicz
Bartłomiej Gliński
Producer's Assistant:
Małgorzata Anna Jakubowska
Dariusz Minkiewicz
Production Coordinator:
Anna Palka
Production Design:
Marcelina Początek-Kunikowska
Production Manager:
Robert Feluch
Props:
Jakub Chomiczewski
Rotoscoping Artist:
Aleksandra Bandomir
Script:
Małgorzata Suwała
Renata Gałuszka
Shading:
Daniel Niszczota
Simulation & Effects Artist:
Krzysztof Kozłowski
Marek Głatki
Marek Netzel
Krzysztof Kozłowski
Miron Błocki
Sound:
Michał Fojcik
Radosław Ochnio
Sound Director:
Radosław Ochnio
Sound Effects:
Barbara Kapica
Jan Rey
Michał Fojcik
Jacek Piotr Blawut
Marta Weronika Werońska
Wojciech Iskierka
Sound Effects Designer:
Radosław Ochnio
Sound Effects Editor:
Jacek Piotr Blawut
Radosław Ochnio
Marta Weronika Werońska
Special Effects Coordinator:
Piotr Krzyczmonik
Special Effects Technician:
Daniel Ramczykowski
Jacek Bykowski
Piotr Nowacki
Sebastian Liwiński
Leszek Liwiński
Jakub Krzyczmonik
Janusz Bykowski
Steadicam Operator:
Jacek Drofiak
Still Photographer:
Aleksandra Zimny
Dariusz Minkiewicz
Andrzej Wencel
Bartosz Mrozowski
Stunt Coordinator:
Marek Sołek
Stunts:
Tomasz Lewandowski
Marcin Świerczyński
Maciej Nenko
Remigiusz Kramek
Maciej Kardas
Paweł Stoczyński
Tomasz Maziarz
Bartosz Kamiński
Kamil Woś
Marcin Molik
Translator:
Simon Clare
Paweł Włochacz
VFX Artist:
Waldemar Woźniak
Paweł Lorenc
VFX Supervisor:
Konrad Kileczykowski
Visual Effects Coordinator:
Anna Stefanek
Visual Effects Producer:
Zuzanna Hencz
Visual Effects Supervisor:
Marcin Drabiński
Writer:
Jacek Bławut
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.