A work in constant progress (and occasional regress).
Release Date:
June 22, 2019
Original Title:
Eat, Drink and Be Married
Genres:
Romance | TV Movie
Production Companies:
Reel One Entertainment
Production Countries:
Canada
Ratings / Certifications:
BR: L CA: G
Runtime: 90
Just three days out from their wedding day, Jess and Max are ready to call it quits from the out-of-control planning. They visit Billie, the owner of a wedding donation company, specializing in donating leftover wedding elements to those in need. However when Max’s brother Charlie will stop at nothing to keep them together, he enlists the help of Billie to ensure this meant-to-be couple gets hitched once and for all.
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Accounting Clerk Assistant:
Angel Cheng
Daria Kogen
Additional Storyboarding:
Amy Katherine Taylor
Kelly Peters
Additional Writing:
Amy Katherine Taylor
Kelly Peters
Animal Coordinator:
Ian Doig
Assistant Chef:
Justin Brass
Randell Hartley
Assistant Craft Service:
Jennifer Bibera
Assistant Editor:
Cameron Sadler
Assistant Location Manager:
Larissa Craig
Brent McCorkle
John Zenovitch
Assistant Production Coordinator:
Johara Boukabous
Best Boy Electrician:
Daniel Irving
Best Boy Grip:
Jeremy Starcok
Boom Operator:
Myles Regnier
Camera Operator:
Ryan Petey
Matteo Di Iorio
Cast Driver:
James Soughton
Peter Swoboda
Casting:
Gina Gallego
Ann Forry
Catering:
Nin Rai
Chef:
Ryan Wellington
Colorist:
Achim Kapitza
Costume Designer:
Oneil Drummond
Costume Set Supervisor:
Jemma Schrauwen
Costumer:
Judy Csatho
Sarka Nikolai
Craft Service:
Bradley Bibera
Director:
Heather Hawthorn-Doyle
Director of Photography:
Ryan Petey
Dolly Grip:
Christ Ajtony
Driver:
Sandra Des Lauriers
Tyronne Crews
Chris Pun
Ryann Deo
Editor:
Braden Oberson
Flavio Bidese
Executive Producer:
Sebastian Battro
Tom Berry
Breanne Laplante
Laurence Braun
Louisa Cadywould
Extras Casting:
L.A. Hilts
First Assistant "A" Camera:
Marco Lamera
First Assistant "B" Camera:
Jesse Davidson
Thomas Kelly
First Assistant Director:
Jennifer Nelson
Gaffer:
Raivo Kruze
Generator Operator:
Derrick Garland
Graphic Designer:
Craig Spratt
Hair Setup:
Eloise Loxton
Key Grip:
Brad Nisbet
Key Makeup Artist:
Nadia Hoecklin
Key Production Assistant:
Paige Mulaner Hamilton
Kris O'neil
Kelly Cook
Lighting Technician:
Owen Pinchin
Zane Klassen
Olly Bian
Location Manager:
Tarina Lynn Colledge
Location Scout:
Darcy Corrigan
Jessica Olsen
Makeup & Hair:
Terra Boreen
Miel Enage
Manager of Operations:
Jalal Karim
Music:
Ary Werthein
Agustin Iacona
On Set Dresser:
Elliot Vion
On Set Props:
Jasmine Chaos
Payroll Accountant:
Helen Nguyen
Post Production Coordinator:
Jay Pardy
Post Production Supervisor:
Patrick Costelloe
Producer:
Gilles LaPlante
Producer's Assistant:
Ritesh Matlani
Javier Porragas
Production Accountant:
Richard Raghoo
Production Assistant:
Shanise Fossen
Alison Nowoselski
Justine Roy Benard
Jaime Sambell
Kira Swan
Production Coordinator:
Chris Langford
Production Design:
Theodore Khouri
Production Manager:
Suzan Derkson
Property Master:
Karina Centeno-Mirth
Props:
Elizabeth Jackson
Script Supervisor:
Leah Beaudry
Second Assistant "A" Camera:
Shayne Mcrae
Josee Prud-Homme
Second Assistant "B" Camera:
Solen Yagihara
Second Assistant Director:
Kameron Bodaly
Security Coordinator:
Sean Hanlin
Set Decoration:
Patrick Werely
Set Dresser:
Patrick Acuna
Justin Sebastian
Elizabeth Jackson
Jody Seaman
Maxene Skinner
Sound Mixer:
Rodolfo Piedras
Sound Re-Recording Mixer:
Randy Kiss
Michael MacDonald
Stand In:
Cherish Moore
Carrie Cianci
Still Photographer:
David Astorga Bocos
Third Assistant Director:
Alyssa Mack-Lee
Damion Harper
Kate M. Gray
Shanise Fossen
Transportation Captain:
Tsering Rongae
Transportation Coordinator:
Dean Fitzpatrick
Truck Supervisor:
Angelina Spencer
Writer:
Lia Bozonelis
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.