A work in constant progress (and occasional regress).
Release Date:
April 29, 2019
Original Title:
The Trigger
Genres:
Drama
Production Companies:
Brilliant Way Productions
Madu Productions
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 100
Hustler ERIC COYLE, 19, has secured early release from prison by informing on his drug dealer, BENNIE. He immediately begins reassembling his former life, including girlfriend, HEATHER, former pimp, DOLORES and his best john, TOMMY. Desperate to create his idea of a family, if only even for a day, he manages to trick Tommy into getting him an apartment, a used car and a job and moves Heather in with him, but things quickly spin out of control when Bennie is brought in for questioning.
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Art Direction:
Mary P. Branch
Assistant Art Director:
Stephanie Lynch
Assistant Camera:
AJ Young
Associate Producer:
Jake Roberts
Best Boy Electric:
JD Cowell
Costumer:
Diana Price
Craft Service:
Tim Ferman
Director:
Christopher Bradley
Director of Photography:
Aiden Chapparone
Editor:
Angela Steele
Executive Producer:
Brian Kiefling
Robert Rosen
First Assistant Camera:
Chris Heck
Miguel Norigenna
First Assistant Director:
Phil Click
Gaffer:
Livier Cuevas
Key Makeup Artist:
Nicole Fraser
Line Producer:
Aaron Land
Music:
David Frank Long
Other:
Tim Page
Julie Bennett Block
Producer:
Aiden Chapparone
Production Assistant:
Jimmy Craven
Scott Keplinger
Kyle Krupela
Deret Musselman
Nick Selmo
Bret Thomas
Production Design:
Mary P. Branch
Props:
Marisa Casey
Benjamin V. Branch
Script Supervisor:
Victoria Geske
Second Assistant Camera:
Kristina Arias
Matt Chesin
Second Assistant Director:
Marlon Hawkins
Set Photographer:
Shannon Land
Sara Nevels
Sound Designer:
Brandon T. Hickey
Sound Mixer:
Kenny Mitchell
Andrew Schwab
Wardrobe Assistant:
Catherine Hahne
Writer:
Christopher Bradley
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.