A work in constant progress (and occasional regress).
Release Date:
January 16, 2020
Original Title:
El robo del siglo
Alternate Titles:
El robo del siglo
Luta ou Fuga
The Great Heist
Το κόλπο του αιώνα
السرقه الكبرى
世纪大劫案
Genres:
Comedy | Crime | Thriller
Production Companies:
AZ Films
Cine Argentino
Film Tonic
INCAA
MarVista Entertainment
Telefe
Viacom International Inc.
Production Countries:
Argentina | United States of America
Ratings / Certifications:
BR: 16 FR: U GB: 15 GR: Κ-15 JP: PG12 US: NR
Runtime: 114
In 2006, a group of thieves performed what is considered one of the most famous and smart bank heists in the history of Argentina. How they robbed the Rio bank is as surprising as what happened afterwards. This is their story.
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Art Direction:
Daniel Gimelberg
Assistant Camera:
Marcela Martínez
Assistant Costume Designer:
Lucía Gasconi
Valeria Fernández
Assistant Director:
Luis Bernárdez
Assistant Editor:
Luisina Rampoldi
Assistant Location Manager:
Sol Bizzozero
Associate Producer:
Ricardo Hornos
Paula Massa
Juan JC Acosta
Christian Cardoner
Emiliano Saccone
Juan Gonzalez del Solar
Juan Pablo Astié
Marcelo Ortega
Best Boy Grip:
Federico Santamarina
Book:
Rodolfo Palacios
Boom Operator:
Lisandro Rumeau
Camera Operator:
Miguel Caram
Gastón García Guevara
Casting:
Verónica Zelwianski
Color Assistant:
Rodrigo Silvestri
Colorist:
Jorge Russo
Costume Assistant:
Romina Azzigotti
Costume Design:
Julio Suárez
Dialogue Editor:
Matías Vilaro
Digital Imaging Technician:
Miguel Maiser
Director:
Ariel Winograd
Director of Photography:
Félix Monti
Drone Operator:
Ivan Insausti
Editor:
Pablo Barbieri Carrera
First Assistant Camera:
Florencia Manca
First Assistant Director:
Mariana Cavagnaro Rouge
Focus Puller:
Marcela Martínez
Foley Artist:
Pablo Daniel Gutiérrez
Foley Editor:
Pablo Daniel Gutiérrez
Foley Recordist:
Gastón Victorica
Graphic Designer:
Emiliano Konoba
Grip:
Juan Alejo Fernandez
Key Grip:
Juan José Fernández
Line Producer:
Leandro Borrell
Location Manager:
Eugenia D'Alessio
Location Production Assistant:
Ezequiel Cardoni
Music Supervisor:
Mike Moreno
Orchestrator:
Òscar Senén
Original Music Composer:
Dario Eskenazi
Post Production Coordinator:
Alina Couto
Post Production Producer:
Alina Couto
Post Production Supervisor:
Alejo Saravia
Producer:
Axel Kuschevatzky
Pola Zito
Fernando Szew
Javier del Pino
Ricardo Freixa
Alex Zito
Juan Pablo García
Fernando Carranza
Pierluigi Gazzolo
Marcelo Ortega
Rocio Lujan Taboada
Production Assistant:
Nicolas Mollis
Denise Brion
Production Coordinator:
Fernanda Pérez
Production Manager:
Leandro Borrell
Germán Garrido
Quality Control Supervisor:
Robert A. Haynes
Runner Art Department:
Nayla Zarba
Script Supervisor:
Mariana Busetto
Second Assistant Camera:
Guillermo Kron
Joaquín Silvatici
Second Assistant Director:
Patricia Asses
Máximo Báncora
Second Unit Cinematographer:
Pablo Desanzo
Set Designer:
Natalia Mendiburu
Set Dresser:
Martín Zabala Monzón
Sound Designer:
Gonzalo Matijas
Sound Mixer:
Rubén Piputto Santos
Sound Re-Recording Mixer:
Flavio Nogueira
Special Effects Supervisor:
Federico Ransenberg
Special Effects Technician:
Juan Sebastián Azurmendi
Steadicam Operator:
Gustavo Triviño
Stunt Coordinator:
Ariel Arredondondo
Supervising Sound Editor:
José Luis Díaz
Thanks:
Emanuel Diez
Gabriel Korenfeld
Julian Loyola
Patricio Vega
Juan Pablo Domenech
Third Assistant Director:
Teresita Barusso
VFX Artist:
Toni Agoglitta
VFX Production Coordinator:
Eva Amuchastegui
Video Assist Operator:
Germán Rocca
Visual Effects Compositor:
Guadalupe Barbara
Visual Effects Editor:
Andrei Burlaka
Weapons Master:
Franco Burattini
Weapons Wrangler:
Alberto Jaceniuk
Román Kampelmacher
Writer:
Alex Zito
Fernando Araujo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.