A work in constant progress (and occasional regress).
Release Date:
March 18, 2010
Original Title:
Jill and Jac
Genres:
Drama | Thriller
Production Companies:
Avenging Angel Productions
Blazing Light Artisans
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 91
Jill Garner is a well-educated, successful, music producer. But after being brutally raped and left to feel responsible for the attack, by a Los Angeles County Police Detective, she finds herself forced to find any way, to emotionally survive.The time-line explodes in Jillâ's life, from the second of her abduction and rape, to her ensuing nervous breakdown… to her traumatic psychological meltdown, through prescription drug abuse. Jill desperately searches for a reason to continue her life. She begins to search for herself through reckless and cloudy relationships with others, as well as drugs. With the failure of each relationship, Jill traumatically disintegrates. Continuing her drug abuse, she decides to video-diary a trip to La Madera, New Mexico, to prove to the one she truly loves, that she has changed.While on her trip, she eventually becomes delusional. She finally locates her true love. Will this ultimately lead to her final salvation, or her ultimate destruction?
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.