A work in constant progress (and occasional regress).
Release Date:
November 28, 2019
Original Title:
Mein Ende. Dein Anfang.
Alternate Titles:
Mój koniec. Twój początek
RLTVT
Genres:
Drama | Romance
Production Companies:
BerghausWöbke Filmproduktion
Telepool
Trimafilm
Production Countries:
Germany
Ratings / Certifications:
DE: 12 KR: 15
Runtime: 107
The fate of Nora, a supermarket cashier who lives happily with her boyfriend Aron, and that of Natan, a loving father who works as a night watchman, cross paths when misfortune turns their lives upside down.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Associate Producer:
Phillip Trauer
Casting:
Simone Bär
Co-Producer:
Thomas Weymar
Jonathan Saubach
Color Grading:
Nicholas Coleman
Costume Designer:
Sophie Klebba
Director:
Mariko Minoguchi
Director of Photography:
Julian Krubasik
Editor:
Andreas Menn
First Assistant Director:
Lucie Hoefferer
Foley Artist:
Max Bauer
Gaffer:
Lisa Maria Müller
Key Makeup Artist:
Michaela Häusler
Makeup Artist:
Stella Gottwald
Music Supervisor:
Carolin Heiß
Original Music Composer:
Jack Ritchie
Post Production Supervisor:
David Armati Lechner
Producer:
Thomas Wöbke
David Armati Lechner
Trini Goetze
Production Coordinator:
Linda Hartogs
Production Design:
Francis 'Kiko' Soeder
Production Manager:
Veronika Neuber
Property Master:
Lisa Skowronneck
Selda Kavulok
Screenplay:
Mariko Minoguchi
Script Supervisor:
Katharina Anner
Second Assistant Director:
Daniel Bier
Set Decoration:
Rebecca Hanke
Sound Designer:
Clemens Becker
Sound Director:
Kai Ziarkowski
Sound Mixer:
Philipp Sellier
Special Effects Supervisor:
Pitt Rotter
Still Photographer:
Hagen Keller
Stunts:
Thorsten Jerrabek
Visual Effects Supervisor:
Lukas Väth
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.