A work in constant progress (and occasional regress).
Release Date:
June 10, 2020
Original Title:
The High Note
Alternate Titles:
Covers
L.A. Love Songs – Der Sound meines Lebens
Música, Glamour y Fama
Visuri mari
לגעת בכוכבים
高调
Genres:
Comedy | Drama | Music | Romance
Production Companies:
Focus Features
Perfect World Pictures
Working Title Films
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: M BR: 12 CZ: 15+ ES: APTA FI: S FR: U GB: 12 GR: Κ HU: 12 JP: PG12 KR: 12 NL: 14 PL: 12 PT: M/12 SE: 7 SG: PG13 SK: 12 US: PG-13
Runtime: 113
Set in the dazzling world of the LA music scene comes the story of Grace Davis, a superstar whose talent, and ego, have reached unbelievable heights. Maggie is Grace’s overworked personal assistant who’s stuck running errands, but still aspires to her childhood dream of becoming a music producer. When Grace’s manager presents her with a choice that could alter the course of her career, Maggie and Grace come up with a plan that could change their lives forever.
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Art Direction:
Erika Toth
Choreographer:
Aakomon Jones
Costume Design:
Jenny Eagan
Director:
Nisha Ganatra
Director of Photography:
Jason McCormick
Editor:
Wendy Greene Bricmont
Executive Producer:
Erik Baiers
Alexandra Löwy
Nathan Kelly
Alexandra Loewy
Producer:
Tim Bevan
Eric Fellner
Production Design:
Theresa Guleserian
Set Decoration:
Melissa M. Levander
Stunt Coordinator:
Mickey Giacomazzi
Stunts:
Danny Wynands
Doug Coleman
Whitney Coleman
Marilyn Giacomazzi
Writer:
Flora Greeson
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.