A work in constant progress (and occasional regress).
Release Date:
July 3, 2019
Original Title:
The Cure: Anniversary 1978 - 2018 - (Live In Hyde Park)
Alternate Titles:
The Cure (Concierto)
The Cure - Anniversary
The Cure - Anniversary 1978-2018
The Cure: 40 Live
The Cure: 40 Live (Anniversary + Curætion-25)
Genres:
Documentary | Music
Production Companies:
Black Label Productions
Eagle Rock Entertainment
Lost Images
Nineteen Fifteen Productions
Tin Pot Films
Production Countries:
United Kingdom
Ratings / Certifications:
GB: U RU: 16+ US: NR
Runtime: 135
The band’s acclaimed 29-song, 135-minute anniversary concert. Filmed in one of London’s Royal Parks to a crowd of 65,000 fans, The Cure presented a four-decade deep set on July 7, 2018. Adding to the experience, the band is back-dropped by giant screens displaying footage that complements the unique moods and emotive song writing that established The Cure as pioneers of alternative rock.
Assistant Production Manager:
Tarka Cowlam
Camera Operator:
John Simmons
Bill Ashworth
Barrie Dodd
Vincent Doyle
Derek Pennell
Ben Richards
Prav Shetty
Andy Watt
Colorist:
Max Horton
Andy Lee
Director:
Tim Pope
Director of Photography:
Ben Frewin
Editor:
Mark 'Reg' Wrench
Jimmy Jib Operator:
Kevin French
Online Editor:
Adam Sample
Post Production Supervisor:
Jeff Halsey
Producer:
Vicki Betihavas
Jules Fennell
Production Assistant:
Nick Carpenter
Angela Fairhurst
Production Coordinator:
Sacha Cowlam
Technical Supervisor:
Martin Brown
Techno Crane Operator:
Mike Drury
VFX Artist:
Tudor Colac
Video Assist Operator:
Gayle Hall
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.