A work in constant progress (and occasional regress).
Release Date:
January 1, 2013
Original Title:
The Hex of Ergot (Popping Corn)
Ratings / Certifications:
N/A
Runtime: 4
"A Super 8 work entirely edited in camera, and shot and processed in one day during the Spur Exchange artist residency, ‘The hex of ergot (popping corn)’ is a musing on the connection between grain, ergot (a poisonous and sometimes hallucinogenic fungus that can grow when grain is damp), the witch-hunt trials in Salem in the 1690s, and consumerism in Leeds. While popcorn and cinema have a long and well-known affinity, the Spur Exchange residency took place in the Corn Exchange, where corn and other grains used to be traded. It’s now full of shops and restaurants, and has a carefully monitored aesthetic and ambience." — M.J.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.