A work in constant progress (and occasional regress).
Release Date:
May 6, 2022
Original Title:
Très belle journée
Genres:
Drama
Production Companies:
Couronne Nord
h264
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 75
Jérémie, bicycle courier, crisscrosses the city at full speed; he delivers anonymous backpacks, blindly following the instructions of his boss Dom. Lonely, Jérémie records a podcast in which he shares his conspiratorial view of the world. His daily life is turned upside down by the arrival of a new neighbor, Élyane Boisjoly, a famous instagrammer for whom he develops a fascination. His life is turned upside down when one night his obsession with Élyane disturbs him to the point of making him miss a delivery. In a violent manhunt orchestrated by Dom, Jeremy has no choice but to act.
Art Direction:
Catherine K. Pelletier
Director:
Patrice Laliberté
Director of Photography:
Christophe Dalpé
Editor:
Olivier Binette
François Lamarche
First Assistant Director:
Marilou Caravecchia-Pelletier
Line Producer:
Fanny Forest
Music:
Marc-Antoine Barbier
Paco Monnier Frederic
Post-Production Manager:
Julien Tremblay
Producer:
Julie Groleau
Screenplay:
Geneviève Beaupré
Patrice Laliberté
Guillaume Laurin
Nicolas Krief
Sound Editor:
Ilyaa Ghafouri
Visual Effects:
Simon Beaupré
Visual Effects Editor:
Pascal Annand
Visual Effects Producer:
Marie-Claude Lafontaine
Marc A. Rousseau
Visual Effects Supervisor:
Jean-François Ferland
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.