A work in constant progress (and occasional regress).
Release Date:
July 1, 2019
Original Title:
In the Key of Love
Alternate Titles:
A közös dal ereje
In the Key of Love
L'Île aux mariages
Любовен акорд
Genres:
Romance | TV Movie
Production Companies:
Lighthouse Pictures
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 90
Photographer Maggie learns her ex-boyfriend/ex-singing partner is in the wedding she is working. Tensions run high until they sing together, remembering how good they were as a duo.
"A" Camera Operator:
Collin Morrison
"B" Camera Operator:
Leonardo Harim
Art Direction:
Sarah Stapleton
Assistant Accountant:
Aidan Heatley
Assistant Costume Designer:
Kelsey Baran
Assistant Editor:
Sean Flotre
Augustin Escoffier
Assistant Hairstylist:
Alana Olson
Assistant Location Manager:
Steve Hearn
Assistant Makeup Artist:
Emily Walsh
Assistant Production Coordinator:
Sean Blatchford
Assistant Property Master:
Coralee Draginda
Assistant Set Decoration:
Christa Macgregor
Assistant Sound Editor:
Joselyn Hernandez
Tony Rodney
Background Casting Director:
Stephanie Boeke
Best Boy Electric:
Rob Hamilton
Best Boy Grip:
Keith Granger
Boom Operator:
Yared Gebrekidan
Casting:
Penny Perry
Candice Elzinga
Casting Assistant:
Martina Smyth
Colorist:
Lorne Wright
Costume Designer:
Patricia Hargreaves
Costume Set Supervisor:
Brenda McDermid
Dialogue Editor:
Matt Dawson
Digital Imaging Technician:
Jason Kwan
Director:
Clare Niederpruem
Director of Photography:
Pieter Stathis
Dolly Grip:
Steve Mieszkalski
Editor:
Thom Kyle
Executive Producer:
Maclain Nelson
Kevin Duda
First Assistant "A" Camera:
Quinton Lai
First Assistant "B" Camera:
Jessica Lo
First Assistant Director:
Kevin Speckmaier
Foley Artist:
Elaine Stef
Shane Shemko
Foley Editor:
Leon Campbell
Foley Mixer:
Francisco Frial
Daniel Cardona
Gaffer:
Trevor D. Gray
Generator Operator:
Livio Santsantarossa
Grip:
Cholo Medina
Scott Vanderhook
Kendrick Hew
Key Grip:
Sean Rooney
Key Hair Stylist:
Rosa Terracciano
Key Makeup Artist:
Francesca Cervellin
Lead Set Dresser:
Tim Lanham
Location Manager:
Danny McWilliams
Music:
Genevieve Vincent
Music Coordinator:
Francesca Cammarata
Music Editor:
Shayla Swanson
Music Supervisor:
Valerie Biggin
Online Editor:
Chris Boettcher
Allan Pinvidic
Original Music Composer:
Genevieve Vincent
Payroll Accountant:
Gretchen Heatley
Post Production Coordinator:
Darlene Choo
Post Production Supervisor:
Jonathan Shore
Producer:
Jamie Goehring
Trevor McWhinney
Shawn Williamson
Production Accountant:
Trudi Thorwaldson
Production Coordinator:
Joey Setter
Production Design:
Brian Davie
Production Manager:
Paula S. Kyan
Property Master:
Daniel Cipilinsky
Props:
Chris Crawford
Script Supervisor:
Jessica L. Randall
Second Assistant "A" Camera:
Chris Horniblow
Second Assistant "B" Camera:
Bobby Demian
Second Assistant Director:
Natalie Fiteni
Security Coordinator:
Sean Hanlin
Set Decoration:
Shannon Bertelson
Set Dresser:
Lucas Marincelj
Dylan Townley Smith
Charlene Irani
Toby Eslake
Juliana Zwierciadlowska-Rymer
Sound Designer:
Ken Cade
Sound Editor:
Kevin Barron
Sound Mixer:
Roderick Matte
Sound Re-Recording Mixer:
Kevin Belen
Kevin Morales
May Guimarães
Sound Supervisor:
Adam Sharpe
Special Effects Supervisor:
Jak Osmond
Still Photographer:
Kailey Schwerman
Story:
Joe Ricci
Julie Foldesi
Kevin Duda
Stunt Coordinator:
Landon Jackle
Stunt Double:
Heidi Ford
Chris Olson
Supervising Producer:
Jonathan Shore
Teleplay:
Joe Ricci
Third Assistant Director:
Adam McCarthy
Ross Langill
Transportation Captain:
Derek Keillor
Reggie Singh
Transportation Coordinator:
Dean Fitzpatrick
Truck Supervisor:
Alexandra Hartle
Debbie Tallam
Visual Effects Supervisor:
Brett Keyes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.