A work in constant progress (and occasional regress).
Release Date:
September 18, 2020
Original Title:
Last Call
Alternate Titles:
Call me if you can
Genres:
Drama
Production Companies:
Mimetic Entertainment
Mutiny Pictures
Production Countries:
Canada | United States of America
Ratings / Certifications:
CA: 18A US: R
Runtime: 77
Last Call follows a suicidal alcoholic on the anniversary of his son’s death. When he attempts to call a crisis hotline, a misdial connects him with a single mother working as the night janitor at a local community college.
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"A" Camera Operator:
Seth Wessel-Estes
"B" Camera Operator:
Gavin Michael Booth
Associate Producer:
Mike Carriere
George Drew
Catering:
Sarah DesRosiers
Jesse Peyton
Paul Synnott
Pamela Egervari
George Egervari
Co-Executive Producer:
Elaine DeLellis
Colorist:
Seth Wessel-Estes
Conductor:
Felipe Tellez
Dialogue Editor:
Fernando Henna
Director:
Gavin Michael Booth
Director of Photography:
Seth Wessel-Estes
Driver:
Shawn Lippert
Adrian Ellis
Mike Carriere
Editor:
Gavin Michael Booth
Epk Camera Operator:
Tristian Oliver
Ryan Coudrey
A.J. Van den Berghe
Todd Shearon
Executive Producer:
Michael DeLellis
Shelby Williams
Susie DeLellis Petruccelli
First Assistant Camera:
Elliott Hale
First Assistant Director:
Emily Eansor
Gaffer:
Douglas Cunningham
Grip:
Tristian Oliver
Location Manager:
George Drew
Musician:
Adrian Ellis
Olga Rykow
Kyle Yuen
Clara Nguyn Tran
Bryan Lu
Orchestrator:
Adrian Ellis
Felipe Tellez
Original Music Composer:
Adrian Ellis
Producer:
Gavin Michael Booth
Daved Wilkins
Production Assistant:
Tristian Oliver
Douglas Kowalsky
Devon Loveridge
Production Design:
Emily Eansor
Scoring Mixer:
Adrian Ellis
Screenplay:
Daved Wilkins
Gavin Michael Booth
Set Dresser:
Emily Eansor
Aya Elmeligy
Sound Designer:
George Flores
Sound Mixer:
Joey Lavoie
Chris McMahon
George Flores
Still Photographer:
Erika Rosenbaum
A.J. Van den Berghe
Vy Nguyen
Ryan Coudrey
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.