A work in constant progress (and occasional regress).
Release Date:
January 12, 2022
Original Title:
Ouistreham
Alternate Titles:
Between Two Worlds
Entre Deux Mondes
Kahe maailma vahel
Le quai de Ouistreham
Mellem to verdener
Ouistreham
Starp divām pasaulēm
Wie im echten Leben
Ανάμεσα σε δύο κόσμους
Между два свята
ウイストルアム 二つの世界の狭間で
世界之间
两个世界之间
失业风暴
Genres:
Drama
Production Companies:
Cinéfrance Studios
Curiosa Films
France 3
Studio Exception
Production Countries:
France
Ratings / Certifications:
BE: 14 BR: 12 DE: 6 FR: U GB: 12A|12 IL: All KR: 12 NL: 14 SE: 15
Runtime: 107
Marianne Winckler relocates to the port city of Caen in order to pass herself off as a member of a large community of itinerant workers desperate to make ends meet. She gains employment as a cleaner on a ferry travelling between Ouistreham and Portsmouth, recording the drudgery of the work she and her colleagues are required to do.
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Associate Producer:
Jean-Luc Ormières
Emilien Bignon
Casting:
Elsa Pharaon
Co-Producer:
Matthias Jenny
Costume Design:
Isabelle Pannetier
Dialogue Editor:
Anne Gibourg
Director:
Emmanuel Carrère
Director of Photography:
Patrick Blossier
Editor:
Albertine Lastera
Executive Producer:
Juliette Binoche
Christine de Jekel
Foley Editor:
Thibaut Macquart
Foley Mixer:
Matthieu Tertois
Key Hair Stylist:
Romain Marietti
Key Makeup Artist:
Albane Cousinard
Music:
Mathieu Lamboley
Novel:
Florence Aubenas
Producer:
Julien Deris
Olivier Delbosc
Emmanuel Carrère
David Gauquié
Production Design:
Julia Lemaire
Screenplay:
Emmanuel Carrère
Set Decoration:
Virginie Destiné
Sound Editor:
Olivier Walczak
Sound Mixer:
Emmanuel Croset
Sound Recordist:
Jean-Pierre Duret
Writer:
Hélène Devynck
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.