A work in constant progress (and occasional regress).
Release Date:
October 25, 2021
Original Title:
The Power of the Dog
Alternate Titles:
Ataque dos Cães
El poder del perro
Köpeğin Pençesi
Psie Pazuty
犬之力
犬山记
파워 오브 도그
Genres:
Drama | Western
Production Companies:
BBC Film
Bad Girl Creek
Beech River Holdings
Brightstar
Cross City Films
Fulcrum Media Finance
Max Films
See-Saw Films
Transmission Films
Production Countries:
Australia | Canada | New Zealand | United Kingdom
Ratings / Certifications:
AU: M BR: 16 CH: 16 DE: 16 FR: 16 GB: 12A|12 GR: K-12|16+ HU: 16 KR: 15 NL: 16 PL: 16 PT: M/16 SE: 11 SG: R21 UA: 16+ US: R
Runtime: 127
A domineering but charismatic rancher wages a war of intimidation on his brother's new wife and her teen son, until long-hidden secrets come to light.
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ADR Recordist:
Owen Grieve
Art Direction:
Nick Connor
George Hamilton
Matt Austin
Associate Producer:
Phil Jones
Best Boy Electric:
Nicholas Riini
Merlin Wilford
Boom Operator:
Sandy Wakefield
Camera Operator:
Grant Adams
Casting:
Nikki Barrett
Nina Gold
Tina Cleary
Casting Consultant:
Carmen Cuba
Co-Producer:
Libby Sharpe
Chloe Smith
Costume Design:
Kirsty Cameron
Costume Supervisor:
Alice Baker
Director:
Jane Campion
Director of Photography:
Ari Wegner
Drone Operator:
Ben Ruffell
Editor:
Peter Sciberras
Executive Producer:
John Woodward
Simon Gillis
Rose Garnett
Finance:
Steven McKinnon
First Assistant "A" Camera:
Daniel Foeldes
Ben Rowsell
First Assistant "B" Camera:
Henry West
First Assistant Director:
Phil Jones
Foley Artist:
Mario Vaccaro
Gaffer:
Thad Lawrence
Hair Designer:
Noriko Watanabe
Line Producer:
Chloe Smith
Makeup Designer:
Noriko Watanabe
Novel:
Thomas Savage
Original Music Composer:
Jonny Greenwood
Post Production Supervisor:
Colleen Clarke
Producer:
Roger Frappier
Jane Campion
Emile Sherman
Iain Canning
Tanya Seghatchian
Production Coordinator:
Linda Fenwick
Production Design:
Grant Major
Rigging Gaffer:
Cilly Lawrence
Script Consultant:
Tanya Seghatchian
Script Supervisor:
Kathleen Thomas
Second Assistant "A" Camera:
Nick Willoughby
Second Assistant "B" Camera:
Jimmy Bollinger
Second Assistant Director:
Renata Blaich
Second Second Assistant Director:
Matt Johnston
Second Unit Director of Photography:
Grant Adams
Set Decoration:
Amber Richards
Set Designer:
Sarah Cathie
Daniel Koene
Set Dresser:
Ben Whale
Sound Designer:
Dave Whitehead
Sound Editor:
Mick Boraso
Sound Effects Editor:
Tara Webb
Sound Mixer:
Richard Flynn
Steadicam Operator:
Grant Adams
Still Photographer:
Kirsty Griffin
Supervising Art Director:
Mark Robins
Supervising Sound Editor:
Robert Mackenzie
Thanks:
Bryan Haas
Title Designer:
Peter Long
Unit Production Manager:
Moira Grant
Visual Effects:
Rui Li
Visual Effects Producer:
Alison Ingram
Flavia Dias Riley
Visual Effects Supervisor:
Jason Hawkins
Writer:
Jane Campion
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.