A work in constant progress (and occasional regress).
Original Title:
Follow Me
Ratings / Certifications:
N/A
Runtime: 49
Why is Instagram dominated by fake accounts? What is fake, what is real on Instagram? Since Instagram was founded followers and accounts have grown insanely. But how can you see on Instagram which accounts and followers are real, and which are fake? A documentary that investigates why and how fake followers dominate Instagram. This documentary is a cross-media research into the economy that has emerged since Instagram has been established: sometimes creative and innovative, but sometimes also very shadowy. As a viewer, you follow journalist Nicolaas Veul and the making of the account @followme.doc. He tries all the tips and tricks to gain popularity, interviews key players and influencers, and reflects on his findings.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.