A work in constant progress (and occasional regress).
Release Date:
August 17, 1990
Original Title:
Come See the Paradise
Alternate Titles:
Bem-Vindos ao Paraíso
Benvenuti in paradiso
Bienvenido al paraíso
Bienvenue au paradis
Ela na deis ton Paradeiso
Gel cenneti gör
Gyertek el a mennyországba!
Kom og se paradis
Przyjdź Zobaczyć Raj
Tervetuloa paratiisiin
Venha Ver o Paraíso
Välkommen till paradiset
浮世恋
Genres:
Drama | History | Romance
Production Companies:
20th Century Fox
Production Countries:
United States of America
Ratings / Certifications:
DE: 12 US: R
Runtime: 133
In this drama from director Alan Parker, on-the-lam Jack McGurn flees to Los Angeles and takes a job as a projectionist at a movie theater owned by a Japanese-American man. Jack falls for the owner's daughter, Lily, but they are forced to elope to Seattle when her father forbids the relationship. The couple marry and have a daughter, but when World War II breaks out, Jack is powerless to stop his new family's forced internment.
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Additional Casting:
Todd M. Thaler
Shari Rhodes
Art Direction:
John Willett
Associate Producer:
Nellie Nugiel
Casting:
Lisa Clarkson
Construction Coordinator:
E.W. Bradford
Construction Foreman:
Jerry G. Henery
Costume Design:
Molly Maginnis
Director:
Alan Parker
Director of Photography:
Michael Seresin
Editor:
Gerry Hambling
First Assistant Director:
Aldric La'Auli Porter
Leadman:
Stewart 'Polar Bear' Shaw
Original Music Composer:
Randy Edelman
Producer:
Robert F. Colesberry
Production Design:
Geoffrey Kirkland
Production Sound Mixer:
Danny Michael
Property Master:
Tommy Allen
Script Supervisor:
Luca Kouimelis
Set Decoration:
Jim Erickson
Sound Editor:
Gary S. Gerlich
John Phillips
Pieter Hubbard
Still Photographer:
Merrick Morton
Stunts:
Allan Graf
Al Goto
Jeff Imada
Supervising Sound Editor:
Bill Phillips
Writer:
Alan Parker
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.