A work in constant progress (and occasional regress).
Release Date:
April 8, 1988
Original Title:
Bad Dreams
Alternate Titles:
La pesadilla mortal
Panics
Visiones, 13 años después
悪夢の惨劇
Genres:
Horror | Thriller
Production Companies:
20th Century Fox
No Frills Film Production
Production Countries:
United States of America
Ratings / Certifications:
JP: G US: R
Runtime: 86
Unity Field, a "free love" cult from the '70s, is mostly remembered for its notorious mass suicide led by Harris, its charismatic leader. While all members are supposed to burn in a fire together, young Cynthia is spared by chance. Years later, the nightmare of Unity Field remains buried in her mind. But when those around Cynthia start killing themselves, and she begins having visions of Harris, she may be forced to confront the past -- before it confronts her.
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ADR Editor:
Nicholas Korda
ADR Mixer:
Doc Kane
Art Direction:
A. Rosalind Crew
Assistant Art Director:
Brent Brewington
Assistant Editor:
Joan Alexander
Greg Hittelman
Ruth Letteer
Linda Wehde
Assistant Makeup Artist:
Kimberly Felix
Assistant Property Master:
Mark 'Digger' Green
Associate Producer:
Ginny Nugent
Best Boy Electric:
John 'Fest' Sandau
Best Boy Grip:
Richard Crompton
Boom Operator:
Rob Scott
Camera Operator:
Martin Schaer
Casting:
Mindy Marin
Color Timer:
Phil Downey
Construction Coordinator:
Ben Parsons
Continuity:
Ellen Gelula
Costume Design:
Deborah Everton
Ronald Leamon
Patricia Norris
Costume Supervisor:
Deena Appel
Director:
Andrew Fleming
Director of Photography:
Alexander Gruszynski
Editor:
Jeff Freeman
Electrician:
Charlie McIntyre
Ronald J. Pure Jr.
First Assistant Camera:
Michael S. Endler
First Assistant Director:
John R. Woodward
First Assistant Editor:
Julie J. Webb
Foley Artist:
Joan Rowe
Jerry Trent
Foley Editor:
Christopher Flick
Foley Mixer:
Greg Curda
Gaffer:
James R. Tynes
Hairstylist:
Kareen Boursier
Key Grip:
Bob Myers
Jamie Watson
Leadman:
Ian Hardy
Location Manager:
Dale Tarter
Makeup Artist:
Sheri Short
Makeup Designer:
Michèle Burke
Music Coordinator:
Nicola Freegard
Music Supervisor:
Budd Carr
Negative Cutter:
Brian Ralph
Original Music Composer:
Jay Ferguson
Producer:
Gale Anne Hurd
Production Accountant:
Larry Hand
Production Coordinator:
Jennifer Zolten Freed
Production Design:
Ivo Cristante
Production Manager:
Charles Skouras III
Production Secretary:
Kris Fullan Martinez
Property Master:
Terry Haskell
Scenic Artist:
David Esparza
Lucy Jensen
Lynn A. Johanson
Stevie Nathan
Screenplay:
Andrew Fleming
Steven E. de Souza
Script Supervisor:
Sharron Reynolds-Enriquez
Second Assistant Camera:
Albert Malvaez
Second Assistant Director:
Robin R. Oliver
Second Second Assistant Director:
Verónica González Rubio
Sound Designer:
John Pospisil
Sound Effects Editor:
Ron Bartlett
Michael J. Benavente
James Christopher
Mark Mangini
Cindy Marty
Sound Mixer:
Joseph Geisinger
Sound Re-Recording Mixer:
David J. Hudson
Mel Metcalfe
Terry Porter
Special Effects:
Roger George
Special Effects Makeup Artist:
Gilbert A. Mosko
Richard Snell
Still Photographer:
Luke Wynne
Story:
Andrew Fleming
Michael Dick
P.J. Pettiette
Yuri Zeltser
Stunt Coordinator:
Anthony Cecere
Stunts:
Noon Orsatti
Pamela Benson
Clay Boss
Christopher Doyle
Dane Farwell
Joe Gilbride
Jeff Habberstad
Linda Fetters Howard
Al Jones
Linda Kaye
Maria R. Kelly
Lisa Kieldrup
Lane Leavitt
Lisa McCullough
J. Suzanne Rampe
Debbie Lynn Ross
Ray Saniger
Gary Stokes
Lee Waddell
Supervising Music Editor:
Allan K. Rosen
Supervising Sound Editor:
Richard L. Anderson
Wardrobe Assistant:
Gina Burke
Katie Los
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.